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Asgårdsreien [The Wild Hunt of Odin] (1872) by Peter Nicolai Arbo (Norway, 1831–1892). #Odin #Horses #Mythology
Christ Leaving the Court (1867-72) by Gustave Doré (France, 1832–1883). Strasbourg Museum of Modern and Contemporary Art. This is a massive painting of 20 x 30 ft (6 x 9m) and shows Christ leaving his trial.
The Thames (1876) by James Tissot (France, 1836-1902). Hepworth Wakefield Art Gallery, Wakefield. #MarineArt #London #Ships
@StevenMered @boccabaciata Yep, men too. 'Echo and Narcissus' (1903) by John William Waterhouse (1847–1917). Narcissus fell in love with his own reflection. A narcissus flower grew on the spot where he died.
Baronne de Crussol (1785) by Élisabeth Vigée Le Brun [Madame Le Brun] (1755-1842). #VintageFashion #FrenchArt
The Voyage of Life (1842) by Thomas Cole (1801-1848). A four-part series by the English-born American artist: (1) Childhood (2) Youth (3) Manhood (4) Old age. “The afternoon knows what the morning never suspected.” [Robert Frost]
Finis [The end of all things] (1887) by Maximilian Pirner (Czech, 1853-1924). #GothicArt
Neptune by Charles Napier Kennedy (GB, 1852–1898). The god of freshwater & the sea in the Roman religion. Neptune was the brother of the god Pluto, the king of the underworld, and of Jupiter, the king of the gods. #AncientRome