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The world of classic art 1799 to 1914 (and some history too). Me sharing stories, insights, and imagery since 2010.
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A Fish Sale on a Cornish Beach (1884-5) by Stanhope Alexander Forbes (1857–1947). Plymouth Art Gallery. The lug sails of the Newlyn fleet of fishing boats can be seen out on the water.

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Springtime (1873) by Pierre Auguste Cot (French, 1837-1883). Met Museum of Art.

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Fog Riders [Nobelreiter] (1896) by Albert Welti (Swiss, 1862-1912).

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The Crystal Ball (1902) by John William Waterhouse (England, 1849-1917). The painting has been restored to show the skull that a previous owner had covered up.

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Les Halles (1895) by Léon Lhermitte (French, 1844-1925). Historic marketplace in Paris.

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Wotan, Götterdämmerung (1906) by Hermann Hendrich (1854-1931).

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John Anster Fitzgerald (1819–1906). (a) The Artist's Dream (b) Dreams (c) The Captive Robin (d) The Fairies Banquet. For decades art forgers have been active in creating fake Fitzgerald fairy pictures. So - caveat emptor (and check the age of the pigment).

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The Death of Arthur (c. 1862) by John Mulcaster Carrick (British, 1833 - 1896).

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The Abbey in the Oakwood (1809-10) by Caspar David Friedrich (German, 1774-1840). Leaning tombstones, sombre processions, lifeless trees, ruined structures in the mist, feelings over thinking. It must be Romanticism.

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Départ pour le Sabbat [witches' sabbath] (1910) by Albert Joseph Pénot (French, 1862-1930).

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