Michael Lobelさんのイラストまとめ

Two early 20th-century painters' views of the Queensboro Bridge:
-Edward Hopper, 1913
-José Clemente Orozco, 1928

@jeremy_millar_1 @GlenstoneMuseum But these also fill the current bill

@TinaRiversRyan

@BruceLaBruce @FrankSFNYC His watercolors of young soldiers bathing during World War I are also pretty telling https://t.co/ZoCS6K6ZXS

My god, May Stevens's "Big Daddy" works of the 1960s & '70s, which caricature the empty trappings of masculine authority—and its chilling banality—are so damn relevant right now. They really should be better known

Bellows's disturbing scene is worlds apart from John Sloan's painting of the same period @MAG_Rochester, which in contrast presents an election eve as cause for joyous & lighthearted celebration

While Philip Guston was in news recently due to cancelled museum show, he should also be known for one of most scathing artistic eviscerations of a disgraced politician: San Clemente, 1975, in which Nixon's phlebitis-engorged leg comes to stand for diseased, maplike body politic

Absolutely fascinated by 1907 James Van Der Zee schoolroom photo @WilliamsMoA. Student drawings or paintings on back wall are strikingly abstract & also surprisingly reminiscent of later work of Jacob Lawrence. Does anyone know what sorts of exercises these would have been?

With opening of the new Penn Station I can't help but think of Ashcan School artist George Bellows, who in the early 20th century captured the massive excavations for the first iteration of that venue in two paintings, one @brooklynmuseum & the other @smithartmuseum

Alex Katz, Winter, 1996