National Gallery of Artさんのイラストまとめ

Gallery 47 includes the work of Dutch landscape painters such as Aelbert Cuyp, Meindert Hobbema, and Jacob van Ruisdael.

[Meindert Hobbema, “A View on a High Road,” 1665, oil on canvas]

“The Prophets Hosea and Jonah” (c. 1510) depicts prophets and sibyls drawn in a style that responded to Michelangelo’s contemporary work in the Sistine Chapel.

When it entered the Gallery’s collection in 1960, “Diana and Endymion” was attributed to François Boucher, Fragonard’s first teacher. Boucher’s name had been associated with the painting since at least the late 19th century.

The fifth painting in gallery 55 by Fragonard is “Diana and Endymion” (c. 1753/1756).

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Today at noon, join educators Julie and Liz for an interactive conversation on Zoom about Tiepolo’s “Queen Zenobia Addressing Her Soldiers," modeling techniques from their massive online open course for a digital, remote classroom environment.

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Phyllis De Lappe made ”Subway” in 1932 when she was just 16 years old, having recently moved to NYC from San Francisco to pursue her artistic career.

De Lappe embraced life in the city and her subjects reflect all aspects of her experience, even fellow passengers on the subway.

Born in Hungary, Jolán Gross-Bettelheim moved with her American husband to Cleveland, Ohio in 1925.

Her first groundbreaking modernist prints of urban and machine-age subjects were made in 1935-36 at Cleveland’s Graphic Arts Workshop run by the WPA Federal Arts Project.

Degas positions the viewer in the audience, with the backs of the spectators heads in front of us, the orchestra beyond them, and then above, the dramatic performance.

The young woman’s flowing white gown begins to move away from the heavy dresses lined with jewels that constituted high fashion. Compare the dress between this one and the previous portrait, completed only two years earlier.