Peter Waltersさんのイラストまとめ
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Workers on their Way Home 1913-1914 - Munch. Love this painting: it captures the rise of the masses. To me it says ‘the people have something to say and you’d better listen’ Almost immediately ‘lions led by donkeys’ in the 14-18 war proved the point @GrimArtGroup @munchmuseet
One more…John Kane, Sunset, Coleman Hollow, c. 1930, https://t.co/d1nrTQs8zZ
The Yard and Wash-House
Carl Larsson c.1895; Sweden @Biagio960 @dianadep1 @guagnano_paolo @babciapat @yebosfaye @ritamay1 @RitaCobix @jbrent5035 @agustin_gut @marialves53 @AlessandraCicc6 @albertopetro2 @erminiopasquat1 @ArgentArts @NatMus_SWE
@Dominiquepucini @GerardLDonadoni @angela3nipoti1 @FriendArt_ @MaxPriviero @marialves53 @djolavarrieta @albertopetro2 @BB_Aesztia @yianniseinstein @Petra71301259 @Johnsmith6244 @claudioborlotto @Sensibilia8 @DavLucia @smarucci461 @paoloigna1 @Rebeka80721106 @ceconomou56 @BaroneZaza70 @renatoantares50 @erminiopasquat1 @javiango @Jadranka4love @MOCarballeira @mariagonzalezf5 @BrindusaB1 @agustin_gut @dianadep1 @AnnaMar90949897 @migliaccio31 @martinis2018 @ANNAMAMARIABIA1 @Biagio960 @cmont4560 @anne_camozzi @culture_more @ValerioLivia @LunaLeso @CaterinaCategio @PaolaToogoodxme @MaurilioVitto Masaccio died (of plague?) aged about 26 and left among other things, a self-portrait in his own work. He is third from the right looking straight at us. Hard to believe this very modern conspiratorial nod to his admirers was 600 years ago
@Dominiquepucini @GerardLDonadoni @angela3nipoti1 @FriendArt_ @MaxPriviero @marialves53 @djolavarrieta @albertopetro2 @BB_Aesztia @yianniseinstein @Petra71301259 @Johnsmith6244 @claudioborlotto @Sensibilia8 @DavLucia @smarucci461 @paoloigna1 @Rebeka80721106 @ceconomou56 @BaroneZaza70 @renatoantares50 @erminiopasquat1 @javiango @Jadranka4love @MOCarballeira @mariagonzalezf5 @BrindusaB1 @agustin_gut @dianadep1 @AnnaMar90949897 @migliaccio31 @martinis2018 @ANNAMAMARIABIA1 @Biagio960 @cmont4560 @anne_camozzi @culture_more @ValerioLivia @LunaLeso @CaterinaCategio @PaolaToogoodxme @MaurilioVitto ‘The Tribute Money’ Masaccio, c 1425. Always transfixed by this. Saw it years ago at Brancacci Chapel in Florence. One of the very earliest Renaissance paintings of people (ok, men) being natural in a landscape
@marialves53 @Asamsakti @ritamay1 @kamabi @BrindusaB1 @AndreWisniewsk2 @ceconomou56 @agustin_gut @simonjetz @BPerrionni @LunaLeso @cmont4560 @angygel22 @tizianacampodon @mariaireneali @Amyperuana @CasaLettori @Biagio960 @dianadep1 @MarieFrettoloso @peac4love @mhall55nine @ArRanieri1960 @LPieceofart @famartinez2001 @JaoreroR @henrirouen @AdrianaCioci @GaiaGaudenzi @paolo_barberio @marmelyr @AlessandraCicc6 @overlooki @1jrv1 @ChinesAnton @albertopetro2 @emiglobalweb @MariangelaSant8 @Spiros209 @Papryka5 @bgv_online @juande4u @CristianeGLima @Rebeka80721106 @albert_cunill @AnnaCountessK @djolavarrieta @Tate @NationalGallery @WallaceMuseum Paule Vézelay (1892–1984) self portrait c 1927
@AndreWisniewsk2 @marialves53 @ceconomou56 @agustin_gut @simonjetz @BPerrionni @LunaLeso @cmont4560 @angygel22 @tizianacampodon @mariaireneali @Amyperuana @CasaLettori @Biagio960 @dianadep1 @MarieFrettoloso @peac4love @mhall55nine @ArRanieri1960 @LPieceofart @famartinez2001 @JaoreroR @henrirouen @Asamsakti @AdrianaCioci @GaiaGaudenzi @paolo_barberio @ritamay1 @marmelyr @AlessandraCicc6 @overlooki @1jrv1 @ChinesAnton @albertopetro2 @emiglobalweb @MariangelaSant8 @Spiros209 @Papryka5 @bgv_online @juande4u @CristianeGLima @kamabi @Rebeka80721106 @albert_cunill @BrindusaB1 @AnnaCountessK @djolavarrieta ‘A Rally’ Sir John Lavery, 1885
@ritamay1 @ValerioLivia @albertopetro2 @claudioborlotto @LunaLeso @MaurilioVitto @BaroneZaza70 @BrindusaB1 @mariaireneali @CaterinaCategio @scastaldi9 @AlessandraCicc6 @VAlivernini @redne2013 @smarucci461 @govi47 @_Vivi2013 @erminiopasquat1 @Biagio960 @VicoLudovico @marialves53 @Rebeka80721106 @martinis2018 @migliaccio31 @licprospero @cmont4560 @DavLucia @dianadep1 @agustin_gut @culture_more @paoloigna1 @EnricoCastrovil @djolavarrieta @GerardBigPlus1 @angela3nipoti1 @Messe11 @kapii7 @Titas37 @tizianacampodon @Make_u2_happy @neblaruz The same is true of George’s Braque as he moved towards Cubism. Two paintings, one from 1906, the second 1909
