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Rich, lush and dramatic. Also gruesome, and a little uncaring. Fetti's Holy Family on the flight, glance casually down at the fate they escaped.
How to deal with a too large table cloth. Bramantino's extraordinary Philemon and Baucis.
Love the ungainliness of the figures. Bathers attributed to Maes and, really, only the curious dog seems typical of the artist
An issue of scale. Giovanni Domenico Tiepolo's Trojan Horse. The sketch at 66cm, the large version 391cm
The beginnings of Neo-Classical restraint applied to Rococo subject matter. Lagrenée (1770). Love that green.
A really convincing Endymion asleep there Brenet (1756). Lovely thing though.
Ecce Homo by Daumier and Rembrandt. The former's more than three times the size of the latter.