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From their first meeting, Andrew Wyeth was moved to paint Anna Christina Olson (#BOTD 1893) + her farm in Maine: “In the portraits of that house, the windows are eyes or pieces of the soul almost. To me, each window is a different part of Christina’s life.”
'Portrait of a Lady Holding an Orange Blossom' by J. Schul, mid-18th century
The power of the female gaze. Wealthy Romaine Brooks (1874 - 1970) used her privilege to paint women as subjects, not objects
Inspiring Walt Disney @WallaceMuseum is such an uplifting, enchanting show which reveals the artists behind the magic, and none more than Mary Blair 💫
The magical realist world of Tirzah Garwood (#BOTD 1908) is inhabited by horses, butterflies + bees. Looming larger than life, they illustrate the natural, subversive surrealism of the countryside