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hm. nanjo and kumasawa's character profiles at their original times of death, and now.
anyway between the villain going on about how love is fake as hell and the Traditional Femininity character standing strong in a giant energy egg as she's attacked by magic sword blasts, this is the most anime ass segment in the game so far
huh
why go back to the victorian clothes now?
making a note of that for later
[dale gribble imitating george bush jr's handshake voice] DEEDLEEEDLEEEDLE
can't stop thinking about The Monarch reading out beatrice lines now, and vice versa
battler brings up human contracts and the way they enforce themselves, and beatrice talks about how monstrous humans can be with them, but keep in mind, they've also talked about how humans break promises too.
human contracts have a key point where they work differently.
rosa imitiates her siblings, maria imitates her cousins and aunts and uncles, and battler imitates the ushiromiya adults as well; they're all trying to navigate chokingly tense situations by adapting (coping) with them via imitation
back to maria and flowers, and a whole lot of discussion of gambling and roulette
my current thoughts are all around, mmm...
first: the way maria acts when she's in that 'mature' mode.