The Daily Hellerさんのイラストまとめ

Always special when an Emigre Fonts specimen book arrives. The most recent, with Rudy VanderLans + Zuzana Licko’s "Littlebit," is a little bit of 21st-century design history—which is what I love about the booklets Emigre has produced over the years.
https://t.co/LUJEaCfx4f

What is more important: the quality of the work, or the feelings of the worker? https://t.co/lKKmPHZOTG

For his film, C'MON C'MON Mike Mills engaged French artist Yann Kebbi to roam freely around the sets and draw whatever he wanted during shoots. (A24 subsequently published a book of the work.) I asked Mills and Kebbi to discuss their collaboration.
https://t.co/42kuaOogq5

I interview Brad Holland on PRINT IS DEAD with Patrick Mitchell https://t.co/W5DkpXEMVW

Pierre Le-Tan, who died in 2019, was an immoderate collector of eclectic objects d’art. He also collected other collectors, who (often unwittingly) bought pieces of his own collections that he put up for sale in order to buy more paintings and bibelots. https://t.co/QzzZ3A4sSx

Mark Podwal’s "A Jewish Bestiary: Fabulous Creatures From Hebraic Legend & Lore" is a menagerie between covers. “The world of the animal kingdom is deeply engrained in the Jewish consciousness, no doubt prompted by the majestic account of Creation.” https://t.co/0XHi2EL4ca

Nora Krug’s visual interpretation Timothy Snyder's new edition of "On Tyranny" adds immediacy especially, I believe, for Gen Z, who come 2022-2024 will be soldiers against tyranny and defenders in the persistent and continuing war on American democracy. https://t.co/cPUeS2fejN

To the desk of Heironymus Beach …
I've long admired #LouBeach's work. Thanks, Lou, for all you do. And further thanks for sending me your latest work, The Guardian of Earthly Delights (below) and for answering my inane questions https://t.co/PHUZSels3g.

The DAY AFTER Seymour's 90th: https://t.co/5K94lc5xfx WHAT MAKES SEYMOUR RUN? Fumes? Ideas? Art?

If COVID has given us anything, it is the realization that life is fragile, time is short. The clarity the pandemic has brought for many artists is an extraordinary gift. For Mirko Ilic, it has renewed the practice of sequential pictolosophy-story-telling. https://t.co/RyGHuBdwHQ