The Daily Hellerさんのイラストまとめ

At the turn of the century logos and trademarks were not strategized, refined or refreshed. Branding was not a verb or a noun. It was the initial stages of commercial art prior to the introduction of graphic design. https://t.co/gsupxqNUl2

The Composing Room in New York was no mere type shop. No other type business was more aggressively self-promoting, none so determinedly advanced the art of type design or made such a remarkable contribution to design history and practice. https://t.co/nhkHLMWu2G

I was fourteen in 1964, the year that the revolutionary The Underground Sketchbook of Tomi Ungerer was first published (reprinted in 1972). I don’t recall how I got hold of the book, but its ribald wit and rebellious humor touched a raw nerve. https://t.co/maVqD5Eb6C

The human body is a wonderful thing. Duh! But trying to explain it through art and design may be even more wonderful. https://t.co/rrKmOutosl

Should a designer's ideology tarnish a life's work? https://t.co/jhjvIkm5dZ Especially abhorrent ideology?

#NotFakeNews: Rob Rogers is editorial cartoonist for the Pittsburgh Post-Gazette. For the last 10 years his publisher, JR Block, a conservative, has had a respectful hands-off approach. Since #therealDonaldTrump was elected all has changed. https://t.co/NK0nw5i7aE #killedwork.

Yamba a.k.a.Enrico de ‘Conti Novelli Berlinioro, 1876–1943, journalist, illustrator, writer known for children books. Tutto di Tutto (Everything About Everything) https://t.co/FAFf2hErrA is pretty much about everything from typewriter concrete poetry to radio technology.

I met Brad Holland fifty years ago this month. I’ve written about him before and will doubtless again -- like today we're having a conversation about his distinctive hand lettering and aphorisms that I’ve long found inviting but never discussed before. https://t.co/kTmKrb2foj

The venerable @MADmagazine, the pub that influenced my so-called wit, begins a new era today with a new logo, an evolution lasting over the past 60+ years. I spoke to executive editor, design director & art director about America's oldest parody mag. https://t.co/1sDbERrj1O

@louisefili's Marseille in assorted new weights https://t.co/7eDaUqCMdI Just in time for Easter.