//=time() ?>
"These moments are modest, unspectacular: if we were primed for a grand dramatic climax, we would be disappointed."
#MikeLeighMonth
Terrence Rafferty's review of LIFE IS SWEET is the essential piece on Leigh. It's hard to watch Leigh's films & not think of Rafferty's writing.
#SwashbucklerADay
The 1937 THE PRISONER OF ZENDA (dir. John Cromwell) and the 1953 remake (dir. Richard Thorpe) are virtually word-for-word, shot-for-shot mirrors of one another, as seen in this #sidebyside
Discussed on @WrongReel:
https://t.co/1O3XpH3WNp
DUNE toys, mentioned in our discussion of David Lynch's DUNE on @WrongReel. There were also DUNE pj's & bedsheets.
https://t.co/Uv3qjkLJD4
Robert Louis Stevenson in CURSE OF THE CAT PEOPLE
#NationalPoetryDay
We raise a glass to the immortal Chuck Jones, forever grateful he left behind such unparalleled works of art. #BOTD
https://t.co/kjNmonfR0A
Images from the alternative color ending of Shohei Imamura's BLACK RAIN, discussed with @MovieKessler on @Flixwise:
https://t.co/iTXer5hUrP
Check us out on the @Flixwise podcast discussing one of our very favorite filmmakers, the unruly Shohei Imamura!
https://t.co/iTXer5hUrP
Great Tobe Hooper moment: Elisha Cook Jr. and Marie Windsor from THE KILLING, reunited in 'SALEM'S LOT.
#ChainsawMemories
25 years after its New Zealand debut, no horror film has matched the audacity & gruesome humor of Peter Jackson's BRAINDEAD aka DEAD ALIVE.