N.A.Melamedさんのイラストまとめ

Hey #IndieDevHour! ✨

We've got a new dev log for #InvertedSpireVN about our process behind painting character emotions in a realistic style (without polishing over what makes them so expressive in the first place): https://t.co/PCsHGdD4Ln

What do *you* think of our designs?~

For today's #amareteabreak, did you know the #InvertedSpireVN prototype was originally created for last year's Spooktober Jam?

We've got a new dev log talking about the process behind the character portraits. They've changed quite a lot since then!~

https://t.co/JNS1N4ItHA

Just finished watching Secrets of NIMH after multiple recommendations, and can I just say the gorgeously painted, relentlessly ominous background are giving me tons of inspiration for Inverted Spire BGs? #vndev

Hey #IndieDevHour, what do you think of these new character portraits for the upcoming release of our dystopian dark fantasy #visualnovel ~The Inverted Spire~?

#vndev | #amaregame | #InvertedSpireVN

The promised dev log on relationship-building mechanics in The Inverted Spire is out! ✨

Check out new character art, get some goblin romance tips, and find out how we diverge from a traditional VN branching structure into something a little ~thornier~

👉https://t.co/GKZ0QHYJCF

If you see this quickly rt/q with your art and tag some cool artists

@PrinceShamlet @chjorniy_voron @tentacledoom https://t.co/KkYbqda875

In today's news, I continue to fall in love with ornamental borders as a (literal) framing device for visual storytelling.

Bilibin drew on the aesthetics of Art Nouveau, lubok folk art and ukiyo-e prints to illustrate Pushkin.

His iconic style is a major inspiration. https://t.co/MVTloOIsbf

“Derivative” art can be a reclamation when you're written out of existence.

It can be a path to recovery.

And tbh, it can be an absolute joy to indulge your instinct for spite—cackling like an uninvited sorcerer who turns the village wedding party into a pack of wolves.

I found myself gravitating to these fictional outsiders. As is common in my position, I projected unseen histories onto blatant caricatures, and even ambiguous allusions to something I couldn’t yet name.

Nearly two centuries later, the brine of unquestioned beliefs in which his fiction is immersed is as impossible for the critically-engaged 21st century person to ignore as the historically-descended flaws of his contemporaries were to Pushkin himself.