Híjole ahí la llevo chunga porque al menos tengo 5 pero voy a decir el que más me influenció: Mike Wieringo, esos ojos inmensos en la máscara y la estética súper delgada son lo mejor. En empate técnico con Sal Buscema.

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La escena, decidida con él en la previa del encargo, es el nacimiento de desde la mano de Galactus. Momento que vimos 3 veces en los comics (Buscema, Kirby y Byrne) y que reinterpreta de manera magistral.

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You can tell this project is rotting my brain because I'm kind of excited about a Son of Satan vs. Satana story by Chris Claremont. (Marvel Spotlight Sal Buscema & Bob McLeod on art - proto-New Mutants team!)

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a x-mas eve Conan “calming down” his horse while his girl looks on - from Conan the Barbarian no.13, January 1972 - after BARRY WINDSOR-SMITH & SAL BUSCEMA... :)

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The Avengers (Oct1968)
A synthetic android has been sent to destroy the Avengers in “Behold…The Vision!” Script Roy Thomas, Penciler John Buscema, Inker George Klein: Great into to Vision, with nice twists leading to a startling finish and perfect Buscema-Klein art. 4.5/5

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Maravilhosa a capa original de J. Buscema. No Brasil foi lançado pela primeira vez desse jeito :/
Também tenho boas lembranças dos velhos arcos da Marvel, pois foram os que preencheram minha infância. https://t.co/sagl1C7svc

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Big Jim P.A.C.K. series (1975-1976) Professional Agent against Crime Killers. In this line, Mattel produced figures more oriented towards superheroes and espionage. First boxes were illustrated by Jack Kirby. John Buscema realised a 16-pages PACK comics.

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From PETER PARKER, THE SPECTACULAR SPIDER-MAN 188 by and Sal Buscema

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From a sketch on the back of a Conan original art page (posted by David Roach on Facebook), here’s a robot cave man - versus spongebob squarepants - after the late, great BIG JOHN BUSCEMA 🙂

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Spider-Man : La collection anniversaire
* SPIDER-MAN N'EST PLUS ! par S. Lee & J. Romita
* LA MORT DE GWEN STACY par R. Thomas, G. Conway & G. Kane
* LA SAGA DU RÉDEMPTEUR par P. David & S. Buscema
* LA DERNIERE CHASSE DE KRAVEN par J.M DeMatteis & M. Zeck

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70's Marvel - Sal Buscema, Tom Smith

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John Buscema, born December 11, 1927. American comic book artist whose enormous body of work — most of it generated under the Marvel Comics banner from the late 1960s to the late ‘90s — spanned more than fifty years.

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To the best of my knowledge, the next time the relationship was touched on was in 1995’s Spectacular Spider-Man by Tom a DeFalco and Sal Buscema, when Ock tries to get in touch with her as he tends to a dying Peter Parker.

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The Ladies of Conan:

NATALA - Last survivor of an army save for Conan, Natala finds herself in a lost city contending with the lash of the wicked Thalis and “The Slithering Shadow” Thog. Can Conan and Natala escape “Xuthal of the Dusk”?

Art: J.Buscema/Alcala, Ching, Vilanova

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The Ladies of Conan:

OLIVIA - an Ophirean princess turned slave becomes caught in the middle of sadistic Shah Amurath, a band of pirates, a vicious man-ape, and the dark sorcery of “Iron Shadows in the Moon” with Conan as her only ally!

Art: Li, Giorello, J. Buscema/Alcala

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This Spider-Marriage page is from "The Spectacular Spider-Man" by writer Peter David & artist Sal Buscema. This is from Part 2 of the Return of the Sin-Eater storyarc, which also features I really miss reading Spider-Marriage stories like this.

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The Ladies of Conan:

BÊLIT - Conan’s great love as a young man and pirate Queen of the Black Coast whose lust for riches ultimately led to her downfall, although death itself proved no bar to her coming to Conan’s aid.

Art: John Buscema, Becky Cloonan, Sana Takeda, Kael Ngu

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Sei lá, o jeito que o John Buscema desenhava olhos é diferente

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