//=time() ?>
Thread on my thoughts for King of The Monsters is such a nice evolution of what the MonsterVerse has been offering. The way the big 4 are treated is akin to gods. Great score, great cinematography, and surprisingly I thought the characters were great! (Cont below)
THE IRON GIANT (1999)
Cinematography by Steven Wilzbach
Directed by Brad Bird
Read about childhood and heroism: https://t.co/Mj8JO1LXs0
Love Death + Robots: The Witness
One of the best cinematography and art styles ive ever seen on a show. Amazing.
#lovedeathandrobots
THE IRON GIANT (1999)
Cinematography by Steven Wilzbach
Directed by Brad Bird
Read about childhood and heroism: https://t.co/Mj8JO1LXs0
THE IRON GIANT (1999)
Cinematography by Steven Wilzbach
Directed by Brad Bird
Read about childhood and heroism: https://t.co/Mj8JO1LXs0
Mini spoiler free review of the new #PetSematary. It was unsettling but also a bit underwhelming. The acting is great and the cinematography is admirable but it tends to fall flat. For horror fans, it’s still worth checking out though.
17) LES GARÇONS SAUVAGES 🇨🇵
Directed by Bertrand Mandico
Cinematography by Pascale Granel
Music by Pierre Desprats
GRAVE OF THE FIREFLIES (1988)
Cinematography by Nobuo Koyama
Directed by Isao Takahata
Read our #studioghibli ranking list: https://t.co/BQnUBboy9Y
45) FIRST MAN 🇺🇲
Directed by Damien Chazelle
Cinematography by Linus Sandgren
Music by Justin Hurwitz
Thursday : @ImageComics solicitations are out and here is my cover for the trade of DIE. For this one, I took inspiration in the old movie posters from the 80’s/90’s. It is a bit more cinematographic. Hope you like it.
#diecomic
Film study sketches of Pan’s Labyrinth #artistsontwitter #cinematography #panslabyrinth #darkfantasy
If an art fangirls/fanboys, doesn't that technically make it fanarting?
Regardless, even arts can be fans of others. Here's a shared appreciation between Cinematography and Illustration, who both get giddy about the works of James Baxter.
I rushed this cause I was procrastinating my cinematography assignment lol. I was supposed to analyse Miyazaki's films but they're too precious I just have to draw them.. #HowlsMovingCastle
1. I routinely watch ocean documentaries to really help solidify the feel of this comic. Ones with Attenborough, like Blue Planet II, have tons of tasty morsels in cinematography, palettes, and Ocean Facts that I like use for comic. Used a screencap for the palette of this page.
ALIEN: COVENANT (2017)
Cinematographer: Dariusz Wolski
Aspect Ratio: 2.39:1
Director: Ridley Scott