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Van Dyck’s work lacks Ruben’s gymnastic dynamics but has a stately & elegant movement instead. Sir Robert Shirley (1622), Cardinal Bentivoglio (1623), Portrait of a Noblewoman (c1623) & Marchesa Elena Grimaldi (c1623)
Van Dyck went to Italy (1621-7) where he was based in Genoa. Self-Portrait (1621), Agostino Pallavicini (c1621), St Martin Dividing his Cloak (c1621) & Lady Shirley (1622). This period of his work was marked by a rich colour scheme of red & black in his portraits
アンソニー・ヴァン・ダイク『白いエプロンの少女』1630年頃、アシュモレアン美術館
Anthony van Dyck, Portrait of a Young Girl in a White Apron, C.1630, The Ashmolean Museum, Oxford
se han relacionado con el estilo del último Van Dyck. Más tarde el éxito la hizo ser reclamada por la aristocracia y la alta sociedad. Además de conseguir excelentes texturas, incluir fondos de paisaje(la primera que lo hizo en los retratos ingleses fue Joan Carlile que ya vimos)
https://t.co/ZJzQ8SKzmQ published 20 new essays in May. Everything from Chancay culture, to Tokugawa period Japan, to colonial Brazil, to Marcel Janco's Dada, to van Dyck.
Can you keep up?
https://t.co/iVR4X6bJ1z
#arthistory #arthistoryathome #OER #smarthistory #humanities
Couldn't let today's @artukdotorg #OnlineArtExchange on Self Portraits pass without mentioning Watts!
'I paint myself constantly, that is to say whenever I want to make an experiment in method or colour'
Self-Portrait in the Style of Van Dyck, c.1831 and Self Portrait, 1904
(#4) “Family Theme Paintings” Anthony van Dyck; “The Children of Charles I of England” (1637)
Anthony Van Dyck, Cardinal Guido Bentivoglio c. 1622-23 (Palazzo Pitti)
In the words of one critic: "one of Van Dyck's absolute achievements in the field of portraiture - is a piece of theatrical display on the painter's part".
It is just wonderful.
NEW GALLERY Anthony van Dyck (1599-1641)
https://t.co/CLmhJiT4gy
#worldart #painting #art #artist #gallery #oilpainting #watercolor #visualart
#artshop #paintingforsale #artistsofinstagram #drawing #artist #artwork #paint #illustration #sketch #draw #instaart #creative #iloveart
Anthony van Dyck's 1628 portrait of Nicholas Lanier oozes nonchalant, couldn't-give-a-shit, I'm-amazing vibes.
Kunsthistorisches Museum Wien
9/ St Martin of Tours - Painted by El Greco, top left, and Van Dyck, top right, cutting his cloak in half and giving it to a beggar. After he gave away half his cloak, Jesus appeared to him in a dream wearing the missing bit! Later, he became bishop of Tours. #WaldysGuideToSaints
@17thCenturyLady @jdmccafferty @MuseumCromwell @KMBraithwaite @Hollie_Babbitt //The Five Children of Charles I by Van Dyck (this follows the previous theme better but maybe I'll think of an "event" to do as well)//
Grab a beverage and a screen, it's time to stream Cocktails with a Curator! Watch now at https://t.co/owfcVx0boo.
This week's episode features van Dyck's Sir John Suckling 📖 and a Pink Gin.
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Anthony van Dyck, Sir John Suckling (detail), ca. 1638. Oil on canvas #FrickCollection
The Five Eldest Children of Charles I, by Anthony Van Dyck (Flemish), 1637, @RCT #paintingoftheday
Today's #DailyHogarth is the splendid Inigo Jones
@RMGreenwich 1757 for Sir Ed Littleton, part of a "British worthies" scheme at Teddesley Park. H's pic is based on famous print by Bob van Voerst 1630-36 this version @NPGLondon after Sir Tony van Dyck's drawing @ChatsworthHouse
He stood apart, a fashionably old fashioned spectator, who observed, experimented, never truly participated, too early ripened for the long 19th century and too ripe for the 20th. John Singer Sargent died #OTD 1925 in London.
The van Dyck of his age: https://t.co/VcEltELr1h
@RachelMillerArt I wonder if that's more a Napoleon thing? Van Dyck's Equestrain portrait of Charles I is quite the opposite, for example.
@GiuseppeTurrisi @LuciaTassan @ScrivoArte @isidemoni @ghegola @redne2013 @Asamsakti @agustin_gut @albertopetro2 @PasqualeTotaro @artmajcar @BrindusaB1 @mariaireneali @yebosfaye @alecoscino @AlessandraCicc6 #Art Van Dyck na Sicília: Pintura e Praga",
#santa
Rosalia che ci protegge.