Irish readers can see one of Van Dyck’s celebrated Genoese portraits, the Red Boy & a homoerotic male nude study, for one of his St Sebastians. Some of his finest works are at London including Charles I on Horseback (1637/8)

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Van Dyck’s work lacks Ruben’s gymnastic dynamics but has a stately & elegant movement instead. Sir Robert Shirley (1622), Cardinal Bentivoglio (1623), Portrait of a Noblewoman (c1623) & Marchesa Elena Grimaldi (c1623)

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Van Dyck went to Italy (1621-7) where he was based in Genoa. Self-Portrait (1621), Agostino Pallavicini (c1621), St Martin Dividing his Cloak (c1621) & Lady Shirley (1622). This period of his work was marked by a rich colour scheme of red & black in his portraits

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アンソニー・ヴァン・ダイク『白いエプロンの少女』1630年頃、アシュモレアン美術館
Anthony van Dyck, Portrait of a Young Girl in a White Apron, C.1630, The Ashmolean Museum, Oxford

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se han relacionado con el estilo del último Van Dyck. Más tarde el éxito la hizo ser reclamada por la aristocracia y la alta sociedad. Además de conseguir excelentes texturas, incluir fondos de paisaje(la primera que lo hizo en los retratos ingleses fue Joan Carlile que ya vimos)

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of Holy Roman Emperor Charles V, by Flemish painter Antoon van Dyck (1599-1641). As it stands Charles V is leading in the poll regarding the most influential ruler of the 16th century (ending in 20 hours).

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https://t.co/ZJzQ8SKzmQ published 20 new essays in May. Everything from Chancay culture, to Tokugawa period Japan, to colonial Brazil, to Marcel Janco's Dada, to van Dyck.

Can you keep up?

https://t.co/iVR4X6bJ1z

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Couldn't let today's on Self Portraits pass without mentioning Watts!

'I paint myself constantly, that is to say whenever I want to make an experiment in method or colour'

Self-Portrait in the Style of Van Dyck, c.1831 and Self Portrait, 1904

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Self-portrait (van Dyck, 1613-14), by Anthony van Dyck

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(#4) “Family Theme Paintings” Anthony van Dyck; “The Children of Charles I of England” (1637)

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Anthony Van Dyck, Cardinal Guido Bentivoglio c. 1622-23 (Palazzo Pitti)
In the words of one critic: "one of Van Dyck's absolute achievements in the field of portraiture - is a piece of theatrical display on the painter's part".
It is just wonderful.

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Anthony van Dyck's 1628 portrait of Nicholas Lanier oozes nonchalant, couldn't-give-a-shit, I'm-amazing vibes.

Kunsthistorisches Museum Wien

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9/ St Martin of Tours - Painted by El Greco, top left, and Van Dyck, top right, cutting his cloak in half and giving it to a beggar. After he gave away half his cloak, Jesus appeared to him in a dream wearing the missing bit! Later, he became bishop of Tours.

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//The Five Children of Charles I by Van Dyck (this follows the previous theme better but maybe I'll think of an "event" to do as well)//

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Grab a beverage and a screen, it's time to stream Cocktails with a Curator! Watch now at https://t.co/owfcVx0boo.

This week's episode features van Dyck's Sir John Suckling 📖 and a Pink Gin.

Anthony van Dyck, Sir John Suckling (detail), ca. 1638. Oil on canvas

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The Five Eldest Children of Charles I, by Anthony Van Dyck (Flemish), 1637,

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Today's is the splendid Inigo Jones
1757 for Sir Ed Littleton, part of a "British worthies" scheme at Teddesley Park. H's pic is based on famous print by Bob van Voerst 1630-36 this version after Sir Tony van Dyck's drawing

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He stood apart, a fashionably old fashioned spectator, who observed, experimented, never truly participated, too early ripened for the long 19th century and too ripe for the 20th. John Singer Sargent died 1925 in London.

The van Dyck of his age: https://t.co/VcEltELr1h

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I wonder if that's more a Napoleon thing? Van Dyck's Equestrain portrait of Charles I is quite the opposite, for example.

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