//=time() ?>
Interesting to see the real model for
D.G. Rossetti. First one Alexa Wilding in Ghirlandata in 1873 and in Veronica Veronese secondly 1872.
A great work by Paolo Veronese at the Accademia Galleries in #Venice representing the crucifixion, I love this detail as it also reminds me of Tintoretto on a reverse mirror https://t.co/Gzb0yJ9Kwu #getaguideforthedetails
@martinis2018 @migliaccio31 @FriendArt_ @marialves53 @cmont4560 @yianniseinstein @claudioborlotto @ceconomou56 @albertopetro2 @PieroCinto @dianadep1 @agustin_gut @Rebeka80721106 @smarucci461 @scastaldi9 @LunaLeso @ANNAMARIABIASI1 @Biagio960 @BPerrionni @lissablu68 @angela3nipoti1 @tizianacampodon @SimonaMascaro @paoloigna1 @GiuseppeTurrisi @gori_magnani @albert_cunill @AlessandraCicc6 @BaroneZaza70 @CaterinaCategio @BrindusaB1 @MariangelaSant8 @licprospero @ritamay1 @NadiaZanelli1 @Make_u2_happy @bmarczewska @CristianeGLima @erminiopasquat1 @kamabi @djolavarrieta @famartinez2001 @eigglezaki @GucciPatrizia @ZanneQuinn @marmelyr @AnnaCountessK Buona serata @martinis2018
Veronese 1570
Il rapimento di Europa
Morisot visited the Louvre to copy as part of her ‘finishing’ & met Corot, Monet & Manet there. Corot introduced her (1860) to painting ‘en plein air’ & to the immediacy of observation & depiction. She continued to train under artists until 1864. Copy of Veronese (1858)
Various Sketches of the Madonna and Child (recto) Architectural Studies (verso) [partially visible on recto], Paolo Veronese, c. 1580 https://t.co/PqyVAW3rTw #cmaopenaccess #museumarchive
2/2 Entire court of the Egyptian princess has turned out to see baby Moses, found among the bullrushes. As imagined in 1580 by Paolo Veronese, whose day is today.
2/2 Lovely portrait of Giuseppe da Porto & his son Adriano perfectly captures the boy's playfulness & the father's affection. By Paolo Veronese, 1556.
2/2 Oh no, it's the Last Supper! Inquisition: Mr. Veronese, with what justification did you include all these details Not Mentioned In The Bible?? Veronese: Would it be OK if I just changed the title to Feast in the House of Levi?
Scorn! Cupid brutally beats on hapless man while two women hold hands and look on... scornfully. Excellent allegory by Paolo Veronese, d. OTD 1588.
Interesting this one . The model of the artist Alexa Wilding in La Ghirlandata 1873 and Veronica Veronese 1872 by D.G. Rossetti.
#HappyEaster and #KillingEve day
"Christ appearing to Mary Magdalene" by Paolo Veronese inspired me to make
"Eve Polastri appearing to Villanelle to say: keep your cake, keep your bear...i need time to divorce or Fury something"
Just as Apollo was about to catch Daphne, she was transformed into a laurel tree, with her toes stretching down into the ground as roots and her fingers turning into branches and sprouting leaves.
👋🏽🌳🌿
@SDMA Apollo and Daphne by Paolo Caliari (AKA Veronese) ca. 1560-1565
Painting at Bedtime.
The Conversion of Mary Magdalene.
Paolo Veronese.
By tradition there would be many followers of Jesus at his crucifixion, in addition to his disciples.The Magdalene is usually one of them. Here is her conversion by that most theatrical of painters, Veronese.
Rossetti's self-isolating stunners are often shown in luscious but claustrophobic spaces with mirrored glimpses of the outside world or a caged bird echoing their own confinement
Lady Lilith (1866-73 Delaware Art Mus)
Veronica Veronese (1872 Legion of Honor Mus)
#GabrielGiovedi
St. Lucy and a Donor, Paolo Veronese @ArtistVeronese, 1580 #mannerism #paoloveronese
Dante Gabriel Rossetti
ダンテ・ゲイブリエル・ロセッティ
《Veronica Veronese》1872年
デラウェア・アート・ミュージアム
Spread... the good news! The Accademia Galleries re-open today in #Venice after the emergency connected to #CoronaVirusitaly https://t.co/Gzb0yJ9Kwu #getaguideforthedetails (Paolo Veronese, Annunciation) #venicedoesnotstop