"Echo and Narcissus" by John William Waterhouse (1903).

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"Love among the ruins" by Edward Burne-Jones (circa 1873).

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Born in 1827: English painter (1827-1910)

Portrait of Stephen Lushington (1782-1873), 1862

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Dante Gabriel Rossetti. 2019. Pen and ink in sketchbook. 9”x12”. Painter, poet, and cofounder of the Pre-Raphaelite Brotherhood

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Hey Ella, thanks for the thread! Hope you're doing all right 🌟

Which parts of your style are deliberate choices and which developed naturally? For me the poses are always really deliberately chosen and inspired by medieval and preraphaelite art. My palettes are p spontaneous.

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Epic! Meanwhile in France we are doing the

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PreRaid drinks doodle

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It's so grab a book or listen to readings online. Oscar-winning was inspired paintings as a child, & some of his gorgeous LOTR illustrations feature in Beyond the Brotherhood, including Helm's Deep & the beautiful Luthien.

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Today's corresponds with the Feast of the Here are two renditions using a mixture of watercolour and gouache, left: Dante Gabriel Rossetti, 1855-58, private collection; right: Edward Burne-Jones, 1857-61, collection:

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Throwback to a piece I painted especially for Spectrum Fantastic Art live in 2014. She was also featured in ne which went over my painting process <3⁠


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John Melhuish Strudwick (1849-1937).

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"Ophelia" by John William Waterhouse (1910).

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Hi and thanks for the thread ! I'm Prerayd, a anime and furry artist. My work is mainly digital art, including original characters illustrations, fan arts and a lot of other things. :p

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Hi there ! My name is Prerayd. I'm a anthro and anime artist. I do a lot of things, such as fanarts, illustrations of original characters or reference sheets ! :3

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"Hope Comforting Love in Bondage" by Sidney Harold Meteyard (1901).

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Slow start, so had time to think about - & how Gabriel Rossetti was drawn to eerie subjects,
like the Doppelgängers in ‘How they met themselves’ (1864) or his many images of ‘Angel footfalls’ from Poe’s ‘The Raven’.

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"The passing of the soul at death" by Evelyn de Morgan (1918).

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