Tritonia viridis (Aiton) Ker Gawl / Freesias, btwn 1843 & 1844, by (British-South African, 1817–1914), who was born (Mar 23). From Cape Flowers by a Lady; source, https://t.co/I0azauDIWC

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1位(RT818/Fav3331):https://t.co/9ZiH3AE83j (ebihurya332)
2位(RT750/Fav2874):https://t.co/1hxp4CWmcD (ebihurya332)
3位(RT613/Fav1914):https://t.co/V1HVTCBeGc (odawarahakone)
4位(RT226/Fav704):https://t.co/C66HxS1oIP (wsss_rauha)

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5位(RT321/Fav914):https://t.co/tnvXbumP3m (totoropica)
6位(RT216/Fav841):https://t.co/ECI1nvKSH8 (sun_fle)
7位(RT269/Fav723):https://t.co/VcdhwICWHR (seitei04)
8位(RT262/Fav717):https://t.co/Zfx7jii60u (monsuu)

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Day and Night
Edward Robert Hughes (1851-1914)

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Theodor Kittelsen (Norwegian, 1857 – 1914), The Sea Monster, 1881. Oil on canvas.

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Photos by James Francis Hurley (1911-1914)
This is literally a gold oh my god

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August Macke
(German,1887-1914)
Leute auf der Straße, 1909

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Art cannot be modern. Art is primordially eternal. —Egon Schiele#thursdaythoughts

Come and look at this painting of Street Cart (1914) by Egon Schiele and many more of our unique artwork collections by various famous artists at https://t.co/iZLOQIZV7F.

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Pre WWI Austro-Hungarian Hussar and His Lady Love (ca 1910-1914)

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「大正時代の大阪:東洋紡績株式会社」(1914)
https://t.co/lVZYzzR8eg

大正時代に刊行された写真集「大阪府写真帖」より、大阪で設立された東洋紡績株式会社(現在の東洋紡)の工場の写真です。迫力ある一枚です。

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☀️Day ~ Night🌙
Edward Robert Hughes (1851-1914)

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1位(RT1660/Fav6183):https://t.co/lMuivAGaJe (skchkko)
2位(RT1320/Fav4914):https://t.co/P498pteZRh (ebihurya332)
3位(RT890/Fav2570):https://t.co/fEc3iTsTXf (kukimaru666)
4位(RT338/Fav888):https://t.co/eAQ4HF64TF (0yukiya0)

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「大正時代の大阪:千日前」(1914)
https://t.co/VFGEjAJWOt

大正時代に刊行された大阪の名所写真集「大阪府写真帖」より、戦前の大阪にあった娯楽施設「楽天地」の夜景です。劇場や演芸場が集まり、当時はとてもハイカラな場所だったそう。

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oc doodles. Para bellum (1914)

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Modigliani, chronically unwell with TB, turned to alcohol & drugs to address his fear & pain (1914 on). He decided to shed himself of his old work & destroyed it. He reinvented himself. Diego Rivera (1914), Head of a Red Haired Woman(1915), Little Louise (1915) & Poet (1915)

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İbrahim Çallı
Şeker Ahmet Paşa’nın desteğiyle Sanayi-i Nefise Mektebi’ne girdi (1906). Paris’e gönderildi. Güzel Sanatlar Akademisi’nde Cormon’un atölyesinde çalıştı (1910-1914). Dönüşünde, Sanayi-i Nefise’ye öğretmen oldu. +

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(pid-66659914)新年わんわん_p1.jpg https://t.co/YboUYLuxyX

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