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wanted 2 join #StartToFinish .... this is a project i did for class that was focused on WWI
This is Rhiannon.
She's werehorse that lives during the WWI and has a vampire gf.
...why making an OC if you can't go wild with them?
@HouseholdWheel @Solarlightphase I do see the general aesthetic of that design as "Megatron," though.
It's very old-timey industrial/WWI-like; it's simple cuz he's old. It's gives off this vibe of an an elderly war general hungry to battle and conquer, which perfectly describes Megatron.
My latest book is 'Enemy Alien' which tells the shameful history of Canada's internment of Ukrainians and other migrants during WWI. Join us at the Toronto launch! https://t.co/IKeSkG2SCN
HELP #Twitterstorians! I'm currently researching Danish-Americans in US service during #WW1, and I'm looking for first hand accounts of Da-Am soldiers. Do you know any - both published and in archives/collections/libraries/museums? Please do retweet and cc! Thanks
#WWI #History
ジョージ・マカーイが「1917」のスコフィールドのキャラクターを掘り下げる過程で、作品を見に行ったと話してるのがスタンリー・スペンサー。
WWIに従軍して、戦場の兵士たちの絵を描いた画家。Map-readingって題の絵、ちょっとブレイクを思わせるかも😢
インタビュー:https://t.co/2UoKhUF2bS
War Art: "Gefahrliche Strasse" (Dangerous Street) 1918...Painting by #GeorgeGrosz (German/American,1893-1959)..
Painting showing a prostitute, who transforms the faces of passers-by into dogs!..It captures #Berlin's descent into moral and physical chaos at the end of WWI..
Born #onthisday1884 Max Beckmann German #painter #printmaker #draughtsman channeled WWI experiences into haunting expressive images saturated in emotion symbolism & mesmerising narrative flirted with Expressionism to emerge as a leading Neue Sachlichkeit (New Objectivity) artist
Remarkable that many of cavalryman #FranzMarc’s drawings were executed while serving #WWI #TheArtOfGermany #BBC4
”Today we are searching for things in nature that are hidden behind the veil of appearance.. We look for & paint this inner, spiritual side of nature.” #MentalHealth
Blues, greens & reds became really important to him & he was now painting confidently in his own signature style. Village (1913), The Soldier (c1914), Return of the Prodigal Son (1914) & Hexenritt (1916). Images of good & evil marked WWI