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Alexis Loir - The Fall of the Rebel Angels (1650). A detail from the etching appears on a New Order tour advert from 1981.
⚡Manga Update⚡
【Kedamono Arashi~Hug Me Baby!】by Kuroi Morry (@kuroimorry) goes on sale April 10!
Benefits:
Animate: B6-size 4-page leaflet
Comicomi: Chibi chara acrylic stand (+¥1650)
➵Pre-order: https://t.co/IZe1nVea49
Many of Jan Fyt's paintings contain a large number of dead animals. Let's continue to keep it light here with "Vase of Flowers and Two Bunches of Asparagus" (1650). 💐
🎨
I created this digital artwork inspired by the magnificent portrait, “Pope Innocence X” (1650) from the Spanish painter Diego Velazquez (1599-1660).
Face Study 15
Veronica Huacuja
Digital art
2020
I annexed a previous image of my artistic process.
Visit https://t.co/lf8V3OF8Uq
Saturday, find a relaxing hobby, go play with Winnie the Pooh
Art by Cornelis Galle the Elder from Antwerp (1576 –1650), younger son of engraver Philip Galle
The early comic strip Hunter in armor with a sword is attacking a rabid bear, they fight and the bear eventually dies...
https://t.co/ooiWG2lI9u
(11650) Have A Great Weekend Everyone :D!!
https://t.co/ZZNpCE23lc
Jan de Visscher
Allegory of Africa
Netherlands (c. 1650)
Engraving; 448 × 307mm.
Rijksmuseum, Amsterdam
@rijksmuseum
https://t.co/OpLTia7b4F
Part of ‘Dulwich Outdoor Gallery’, this piece by Walter Kershaw was inspired by ‘Landscape with windmills near Haarlem’. The scene, painted by Van Ruisdael (1650) and John Constable (1831) are both on display in @DulwichGallery #lookuplondon
Today's archive treasure is from '#Maps That Changed the World' by John O.E. Clark, published in 2016. Pictured here is 'Amerique Septentrionale' (1650) by Nicolas Sanson d’Abbeville. Check out @BatsfordBooks on Instagram later today for a bonus map! Image: Corbis. #Batsford175
Van der Neer's "An Evening View Near a Village" (c.1650) @NationalGallery #art #NG365
"Two Undershot Watermills" (1650), van Ruisdael (Netherlands) - Barroco
"Two Undershot Watermills" (1650), van Ruisdael (Netherlands) - Barroco
"Two Undershot Watermills" (1650), van Ruisdael (Netherlands) - Barroco
@josepcampo @ritamay1 @eurios @scastaldi9 @MomiraMonika @RosamariaNoia @PasqualeTotaro @vighicarlo @deOzAlice @mariadicuonzo1 @isidemoni @KglLaura @lucekerien @antojackie @Biagio960 @overlooki @overjas @yianniseinstein @Asamsakti @henrirouen @isacnycArts @prize_jesse @BaroneZaza70 @Vandabio @CerisesMacaron @emanuelaneri14 @VicoLudovico @LuciaTassan @BELLALMAMIA @neblaruz @Milutta @pure_p4 @aleph54 @AlessandraCicc6 @BrindusaB1 @sergey_silkin @KristinAndrene @VladimerAntonov @Altai_Armande @TimoBeil_ @FlaminiMarina @GaiaGaudenzi @huskorkut @smarucci46 @Joopjadieja @paoloigna1 @PatriziaRametta @mariaireneali @NadiaZanelli1 @enripapa #arte 🎨van Jan Asselijn, The Threatened Swan (1650)
Non è possibile che un poeta sia chiamato cigno da alcuni senza che sia chiamato oca da altri. (Arturo Graf)
Vintage "distressed" creation of the John Noblet Tarot de Marseilles (c.1650) https://t.co/4trskTbuvJ
"Two Undershot Watermills" (1650), van Ruisdael (Netherlands) - Barroco