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Edward Ardizzone illustrated his first book in 1929: In a Glass Darkly by Sheridan Le Fanu. He went on to produce illustrations for Punch magazine and covers for the Radio Times.
Design for the ballet ‘Les Noces.’ #Illustration by Sergei Soudeikine (1929) #art #ballet
Petey the red lion picking up a penny from a sidewalk
Lineart Patreon Reward by @art_nazz
Colored by foxypoof AKA warpwarp1929
Petey Red Lion belongs to ME
Fatale maledizione su di me si è abbattuta
gli ingenui la chiamano Amore -
…
potrà mai rassegnarsi il mio cuore a tanta follia?
Fugge come gazzella la mia quiete notturna.
#MondoDiVersi Lea Goldberg Lampo all’alba
🎨Marc Chagall Les amoureux (1929)
Museum of art Tel-Aviv
Knight in Blue and Red, Brandishing a Sword, on a Black Horse by Kharkiv-born Ukrainian emigre artist Boris Artzybasheff, 1929.
📷 @harvartmuseums
Menudo giro le ha dado @mwcartoons a la entrañable oruga glotona de los libros infantiles de Eric Carle (1929 - 2021)
➕#humor & #arte / #art #cartoons #cartoonart
👉https://t.co/CPznstwMn0
#illustrationart #illustrationartists #illustrators
Giorgio de Chirico, The Archaeologists IV, Plate three from Metamorposis, 1929 https://t.co/WmzAulmBfk #artinstituteofchicago #museumarchive
Girl in the Country, 1929 https://t.co/q8iO8zt2xa #neosuprematism #kazimirmalevich
Running (1931), at the Press (1931), Dancers (1929) & Self-portrait (c1920-30) indicate his lifetime concern with speed, power, youth & new ideas.
🌸🌸🌸
🎨 Drawing, Study of Irises; Early 20th century; Designed by Sophia L. Crownfield (American, 1862–1929); Brush and watercolor on grey paper; Gift of Starling W. Childs and Ward Cheney, 1937-59-39; @cooperhewitt , Smithsonian Design Museum;© Smithsonian Institution
1906. 'Five Hours at Paquin' (detail) by Henri Gervex ( French 1852 - 1929
Original Grand Guignol posters by Adrien Barrère, dated from 1909-1929.
Harkrider co-directed one film, the Flo Ziegfeld production Glorifying the American Girl (1929) along with the film’s costume and set design. He eventually wanted to produce his own NY stage extravaganzas but the Depression and WWII — and lack of financial backers — did him in.
Bars et cabarets de Paris from 1929 by SEM aka Georges Goursat. French caricaturist during the Belle Époque & was successful through his imaginative portrayals of Paris at the turn of the Century by capturing the spirit of the subject rather than exact physical traits.
Victory Ball, 1781, by American painter Jean Leon Gerome Ferris (1929). Virginia Historical Society.