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This limited edition 64-page artist’s book by Julian Opie, contains 16 lithographic, five Lambda and five screenprint portraits! (Courtesy of @CristeaRoberts) Available in our anniversary #fundraising #auction: https://t.co/1fXAHBsUDd #charity
Just in: selection of original lithographic and screen-printed art exhibition posters from the 1960s and 70s. #hockney #paolozzi #matisse #allenjones More here: https://t.co/Bv7qgel4hn
With Autumn comes the harvesting of many crops.
Which of these have you grown this year?
These images come from nursery catalogues and chromolithographic plates in our collection.
#Autumn #autumngardendays #Harvest
#Artists exhibiting in #nunheadarttrail2019: Gill Day (No.88) #drawings #textiles #lithographicprints; Trisha Needham (No.89) #textiledesigner ; Anthony C. Peppard (No.90) #mixedmediaart; Rebecca Boyd Allen (No.91) #painter #watercolour
#nunhead #openhouse #artfair #art
Lilford's "Coloured Figures of the Birds of the British Islands" (1885-97) was illustrated with over 400 chromolithographic plates mostly after artworks by Archibald Thorburn & John Gerrard Keulemans. Explore all 7 volumes for #Feathursday via @AMNH ➡️ https://t.co/3nfxlY30OO
The 25-volume "Icones florae Germanicae et Helveticae" (1834-1912) is a comprehensive work on the flora of middle Europe. It features over 3,000 hand-coloured engraved and lithographic plates. Explore the work in #BHLib thanks to @NYBG ➡️ https://t.co/ob3JMuLaew 🌸🌼🌸
The #SciArt for "The Indigenous Grasses of New Zealand" (1878-80) was produced via nature printing. The plant specimens were lightly inked and pressed onto the prepared surface of lithographic stones. Explore the work in #BHLib via @Mann_Library ➡️ https://t.co/C1a2zVPuBp
Today we present hand-colored lithographic plates from 'Sämmtliche Giftgewächse Deutschlands, naturgetreu dargestellt und all gemein fasslich beschrieben' by Eduard Winkler. The book is Winkler’s seminal work on all the poisonous plants of Germany. More: https://t.co/rQnENyic5F
Bateman was also the author of "The Orchidaceae of Mexico and Guatemala" ([1837]-1843), the largest botanical book ever produced with lithographic plates. It features #SciArt by Sarah Anne Drake & Augusta Withers. Learn more on our blog ➡️ https://t.co/UP3k22DSae #BotanicMonday
Look at these exquisite hand-colored lithographic plates from volume 2 of the 1865 edition of François André Michaux’s landmark work, 'The North American Sylva! Published in five volumes in Philadelphia by Rice, Rutter & Co. Learn more here: https://t.co/NtJxDr3GwH #Flora #floral
A group of 6 lithographic works by #JoanMiró characterised by their energy & simplicity, the juxtaposition of bold colour, strong line & clean, empty space within our 17 April sale of Contemporary & #PostWarArt in #Edinburgh. Learn more: https://t.co/rWIVcX8jhZ #ContemporaryArt
An account of the interaction between the Cameron @triceratopsian blue & gold macaw and the Natee crane.
Lithographic plate from The Natural History of Himmapaanland.
"The Orchidaceae of Mexico and Guatemala" ([1837]-1843) is the largest botanical book ever produced with lithographic plates. It was beautifully illustrated chiefly by Sarah Anne Drake & Augusta Withers. In #BHLib via @mobotgarden ➡️ https://t.co/nP8O90Nqmf #HerNaturalHistory
Glorious chromolithographic photo album celebrating the life of Queen Victoria
I have discovered the world of lithographic nature prints and it is some delightfully interesting nightmare fuel
On this first #Feathursday of 2019, we present four chromolithographic plates of some winter-loving birds – most of which may be seen in the Upper Midwest during this month – from the 1907 edition of 'Bird-Life, A Guide to the Study of our Common Birds' by Frank M. Chapman.
For #BotanicMonday, explore chromolithographic proof impressions of #orchid watercolor drawings, unsigned but possibly by H.G Moon & probably destined for a 3rd series of Frederick Sander's "Reichenbachia." #OpenAccess in #BHLib via@chicagobotanic ➡️ https://t.co/cdXeQMZV0b
"Lithographica" is a vintage-style depiction of some of the biodiversity of the Solnhofen Limestone, a bountiful fossil formation in Germany. I wanted to show what a naturalist might have seen walking amongst the islands and lagoons of Jurassic Europe.
Since the winner of @GreyGriffon's #TheSummonENGH2018 #paleoart contest is being announced tomorrow, I thought I'd share the entries I submitted: "Lithographica", "Wrong Branch", and "The Treachery of Retro Paleoart"