Almost the weekend. Were on the finish straight folks!😀and only 54 days till Christmas lol

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First on our lineup of speakers is Adam Allsuch Boardman from AAAB Illustration, he's recently put out a book titled 'An Illustrated History of Filmmaking'! 🎬 Check out his work here: https://t.co/FB9oL7xo6R Then grab your ticket for Glug from here: https://t.co/TdlATh7A6g

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Rough composition sketches as I was figuring out a key scene in the final NYC battle of the Avengers!
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Our first visual development piece created for our shortfilm. Artwork by Marco Furtado.

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Going to be stormy tomorrow so heres some rainy storm filled shots 😀

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Sunday morning. Its raining,grey and a tad warm. So heres a bit of colouy to brighten your day

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Finally after what seems like this whole year. I have a day off !!!! Huge tv advert to do next so here is some older shots

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this comes into play in early filmmaking, where filmmakers are using green/blue makeup on their actors to make them look even vaguely normal on-screen, as well as carbon-arc lights (since incandescent light hardly shows up on orthochromatic film):

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Check out some of our storyboards for ‘Fear the Invisible Man’ by awesome artist, Andrew Lamb (). This image is taken from our epic finale of the movie. Adeline () escapes via carriage.

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First official holiday time in five years. Feels weird...wheres my computer lol

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The first piece of concept art ever done for my shortfilm, ‘Canvas’. Artwork by Marco Furtado. I had to post it again. I love what he captured in Grandpa’s work-space.

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thought is stick this stuff together , its all from the same story. might do a bit more on this one,

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I've always been a huge fan of and For me, one of the most exciting elements of the production of David O'Reilly was working with to bring the monsters from my script to life.

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