画質 高画質

Having fun thinking of chapters for my 2nd book set in 5th century Athens:
• Play-Doh’s Dialogues
• Socrates Café
• The Gritty City
• By the Dog
• Santa in a Tablecloth
• Good Horse Bad Horse
• Kid Plato
• Throwing Wine

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Solitude is indispensable for my dialogue with nature.

—Caspar David Friedrich, born 1774

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The dialogue pass on the final issue of Morningstar is taking longer than expected. Posts for the next week or so will be figure drawing studies along with my not-so-witty unrelated commentary.

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While this isn't actual dialogue, I think these panels have great meme potential. There's just something very relatable about this interaction.
Right, ?

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I'm sorry but today I've seen a lot of dudebros saying stuff and I had to. I'm sure I left something but these are all I could think about rn 😔✊

(+10 points if you know which tweets I'm referencing in the dudebro dialogue)

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It’s coming!

The demo for Alyosha’s route (chapters 1 & 2) will be released at the end of the week! New illustrations, new sprites and a new UI. New dialogue options? Hell yah.

Sam, get it together!!

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quick smol ashewyn so quick I can't think of dialogues 😂🏵

it was that one time in the past, stuck in the corner of their memory

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i don't have anything dialogue planned but they're gay right

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Actually i draw this at the beginning, but i don't know the dialogue 😅 here's soonhoon without context

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Pose prevents the dialogue but this hunky bois ready for the real work out

Full version is on
https://t.co/dfzg3mNdoH

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And for no particular reason I spent some time this morning editing some GARFIELD strips to remove either Garfield's dialogue or Garfield himself, plus some other minor changes.

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Clinton often emphasized characters' teeth during dialogue scenes and usually put more detail into his drawings for Tex at MGM. He also used heavy dry-brush effects, particularly for fast action scenes.

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