Allegory of the Scuola della Misericordia, 1564 https://t.co/ybpvZ7j3wj

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Heyho! Danke euch für den spaßigen Stream gestern. Damit haben wir Cult of the Lamb nun durch.
(Und waren danach noch zeichnerisch fleißig~)

Danke übrigens auch für die super lieben Raids von und @/YukiKaraMell 💕

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FOG GATE RUNNER.

This painting emerged from my previously-described interest of merging aspect of (hard sf, machinery, representational) with (symbolic, mannerist influence, surreal elements).

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Opening of the fifth seal (The vision of Saint John the Divine), 1610 https://t.co/NbcFGGWLry

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_人人人人人人人_
> HAPPY    <
> BIRTHDAY   <
> Lis Nerishi⚜️ <
 ̄Y^Y^Y^Y^Y^Y^Y^ ̄

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24) BONBON 🎪

EE OC! a banzai vice-principal who is weirdly dedicated to the clown aesthetic. even despite her cartoonish mannerisms, she still manages to have a threatening aura to her and WILL whack people with her mallet without warning. it hurts.

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While my au version of William afton has many things that inspired him, these three in particular inspired him the most in design, mannerisms, and overall characterization

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Lora Lamm’s summers | 6. When Lora Lamm worked in Milan from 1953 until 1964, the design community was a male domain, but she was lucky in working for La Rinascente alongside such talented female designers as Carla Gorgerino, Pegge Hopper and Amneris Latis
https://t.co/ks9QGTin5M

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My favorite thing about Intamin being a Wheatley expy who adopted a lot of his mannerisms and imagery is that I accidentally got two almost identical pieces of them years apart without realizing it. We love a strong narrative identity, I guess?

🎨: @/t4zerr, @/DinoDraws

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