FOG GATE RUNNER.

This painting emerged from my previously-described interest of merging aspect of (hard sf, machinery, representational) with (symbolic, mannerist influence, surreal elements).

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HOPE, CLOUDS, OBSERVATION.

This scene was painted for a competition that the Barbican was running, that was focused on representations of art.
I attempted to blend aspects of and of course I tried, at least.

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ph'nglui mglw'nafh Cthulhu R'lyeh wgah'nagl fhtagn

(CLIP diffusion in the style of

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Brian Aldiss, Earthworks, New English Library, 1974. Cover: Bruce Pennington.

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Brian Aldiss, Earthworks
Four Square, 1968. Cover: Karel Thole
New English Library, 1972. Cover: Bruce Pennington
Panther/Granada, 1984. Cover: Peter Elson

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Brian Aldiss, The Interpreter
Four Square, 1967. Cover: Josh Kirby.
New English Library, 1975. Cover: Bruce Pennington.

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Brian Aldiss, Earthworks
New English Library, 1972. Cover: Bruce Pennington
Panther/Granada, 1984. Cover: Peter Elson

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