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Gainsborough’s greatest portraits from the 1750s are of his family. Miss Gainsborough Gleaning (1756-9), the Painter’s Daughters (1758) & the Artist’s Wife (c1758) attest to his growing maturity as a portraitist, as well as his love for his family
Sebastiano Ceccarini (Italian, 1703-1783)
Portrait of a noble woman, c.1750s.
Collection © @walters_museum
#Baroque #Mannerism
Thomas #Gainsborough died #OnThisDay in 1788. He moved to Bath in the 1750s and quickly achieved prominence amongst all the portrait painters around the city. Find out more about him and his painting 'Thomas Rumbold and Son' in this video https://t.co/AXnjH4kBkg
Even before Gainsborough, Philip Mercier painted “fancy paintings” inspired by Dutch genre paintings. After my recent #ArtLovers tweets, can you now see the origins of sentimentalism & romanticism in these paintings from the 1740s & 1750s?
#ArtLovers
@Tate
@NatGalleriesSco
Gainsborough’s greatest portraits from the 1750s are of his family. Miss Gainsborough Gleaning (1756-9), the Painter’s Daughters (1758) & the Artist’s Wife (c1758) attest to his growing maturity as a portraitist, as well as his love for his family
Beloved vampire hunter Edwin,,,,
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Holy doctor from the 1750s who becomes unholy to purge vampires 🧛♂️
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#furryart #furryartwork #furry #Furryartist #furryfandom
pepemion Shepherd and glowing pepiana
@jaggedsoft 💚
This is an adaptation of the work early masterpiece by Jean-Honoré Fragonard demonstrates his brilliant command . of the rococo pictorial idiom that was in its ascendancy in the 1750s
https://t.co/Y5x0v4gJke
#FrogFam #pepe
Francesco Guardi, Tobias and the Angel, 1750s https://t.co/JcSVk0N723 #museumarchive #cmaopenaccess
Studio / Workshop of François Boucher, French (1703 - 1770)
The Muse Clio, c.1750s.
@WallaceMuseum
A Parisian, his talent was noted by the painter Lemoyne. He won the Prix de Rome in 1720 which was designed to allow talented students study there. Two youths & a dog (c1730-5), Young Woman (nd) & Water Mills (1750s)
Born #OnThisDay in 1747: #LouisPhilippeII (1747-93), Duke of Orléans
Portrait as a boy #LouisTocqué (1696-1772), ca. 1750s
#PhilippeÉgalité #BourbonOrléans #ChildrenInArt #DogsInArt
Studio / Workshop of François Boucher (1703 - 1770)
The Muse Clio, c. 1750s.
#FrenchArt @WallaceMuseum
Jean-Marc Nattier eschewed the trends of the 1750s to create a neoclassical-inspired fantasy. While the woman’s rosy blush and the embellishments of her dress are representative of Rococo style, the portrait shows a mythologized version of the woman.
https://t.co/vpqnMP3wb2
The Sacrifice of Isaac, Francesco Guardi, 1750s https://t.co/vNBml5p79l #clevelandart #clevelandartmuseum
Born #OnThisDay in 1720: #LouisaUlrikaofPrussia (1720-82), Queen of Sweden as spouse of King #AdolfFrederick
Portrait by #GustafLundberg (1695-1786), ca. 1750s
#LovisaUlrikaavPreussen #Hohenzollern #HolsteinGottorp
I sort of have the beginnings of a 1750s Celtic low key magical AU, I have absolutely NO clue what I'm doing but DAMN, Mick really pulls these boots off. 😂
This acquisition adds to our Gainsborough family portraits @NationalGallery including two magical double portraits of Margaret & Mary (NG3812 & NG1811). There's another portrait of the sisters from late 1750s @V_and_A (pic 3) #collectionsunited @nat_collection #MuseumFromHome 2/
Gainsborough’s greatest portraits from the 1750s are of his family. Miss Gainsborough Gleaning (1756-9), the Painter’s Daughters (1758) & the Artist’s Wife (c1758) attest to his growing maturity as a portraitist, as well as his love for his family
Gainsborough’s greatest portraits from the 1750s are of his family. Miss Gainsborough Gleaning (1756-9), the Painter’s Daughters (1758) & the Artist’s Wife (c1758) attest to his growing maturity as a portraitist, as well as his love for his family
German botanist and entomologist George Dionysius Ehret was born #OnThisDay in 1708. He was also a dab hand at illustration, as can be seen in his work of the 1750s 'Plantae and rariores papiliones', a copy of which is housed at the RHS Lindley Library. #BotanicalArt