Inspired by a pioneer today 🏴‍☠️
my quote on frame by frame 1st Motion Picture (Movie) - Sallie Gardner at a Gallop (1878) _ Eadward Muybridge
gm riders ❤️🔥 https://t.co/tth3uxeRAW

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Casi 30 años después de la 13/11/1993, el cuadro 'And When Did You Last See Your Father?' (1878) de Frederick Yeames ha vuelto a inspirar a

➕#humor &
👉https://t.co/kZ6a2Q0VlS

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Gustave Moreau (1878) / Yoshimi Uchida (1980) https://t.co/ZLtZC23hNM

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based on
Tomb of Lord Lyttelton (sculpted by James Forsyth, 1878)
(In this variation, Lord Lyttelton is alive and well.)

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The Dancing Lesson (1878) by Thomas Eakins (American artist, lived 1844–1916).

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Vue de toits (Effet de neige) (1878), by Gustave Caillebotte

Rooftops in the Snow (snow effect)

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Temptation of Saint Anthony (1878) by Félicien Rops

La Tentation de saint Antoine

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Modern French art includes Pissarro’s (1873) Chinese Vase which is a v satisfying work. Morisot’s (1878) Le Corsage Noir & Gonzales (c1877) Children Playing are two fine works by the leading female impressionists

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Phrosine and Mélidore (1878) by Edouard Dantan

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JAN WALRAVEN (Dutch, 1827-1878)

Gender scenes and history painter who was born in Amsterdam and lived and worked there until 1863. She preferred to paint farm children with bright curls and red cheeks, absorbed in simple tasks and accompanied by the small animals that livedthere

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Winding the Skein (1878)
by Frederic Leighton
Style: Academicism

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"Constantinople seen by the sea at night" (1878) by I.C.

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Rooftops in the Snow (snow effect) (1878) Gustave Caillebotte [5041 x 3993]

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Gustave Caillebotte’s “Rooftops in the Snow” (1878)

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“Nothing is as tedious as the limping days,
When snowdrifts yearly cover all the ways,
And ennui, sour fruit of incurious gloom,
Assumes control of fate’s immortal loom”
(Charles Baudelaire)

🎨 Gustave Caillebotte (1878)

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おはよう🙋
今日はミルトンの誕生日なのでハンガリーの画家が描いたミルトン一家を2枚載せとくね😙
①オーライ・ペトリッヒ・ソーマ「三人の娘に『失楽園』を口述するミルトン(1862)」②ムンカーチ・ミハーイ「『失楽園』を娘に口述する盲目のジョン・ミルトン(1878)」

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夢を重んじ思い描く理想が、ジュピターの放つ雷鳴の狙いを外し、ジュピターに変わる新王を狂乱と支離滅裂の絢爛豪華で謳う。獣的な混乱の極みが生みだす「悲しみという太陽王の調和」を、バロックの夜は「喜び」へと転化する。

ギュスターヴ・モロー『ファエトン』(1878)

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He studied the male form in the approved Academic approach & also as a form of personal meaning. Works for himself, such as these three, explored the idea of his own attraction. Male Model (c1875-7), Male Model (1878) & Portrait of a Sailor (1878)

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Seaside, by French painter James Tissot (1878). Cleveland Museum of Art.

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