//=time() ?>
Bronzino è il raffinato pittore di corte di Cosimo I un manierista lontano dalle sperimentazioni del maestro Pontormo,il ritrattista che mette in luce l’eleganza e la cultura medicea nella II metà del 1500.
Agnolo Bronzino(1503-1572)"Ritratto di Cosimo I dei Medici"1545 Uffizi
@yianniseinstein @albertopetro2 @Rebeka80721106 @smarucci461 @BryanMatthews23 @cmont4560 @anne_camozzi @BrindusaB1 @dianadep1 @agustin_gut @djolavarrieta @ValerioLivia @CaterinaCategio @gori_magnani @ritamay1 @licprospero @POKI33847251 @paoloigna1 @GuagnanopPaolo @AlbertoLetizia2 @_die_Uta_ @mi_oro13 @Asamsakti @Caos0189 @ceconomou56 Bronzino
Sacra famiglia
https://t.co/s8IYXk7Sky
🎼Heinrich Isaac (c.1450-1517)
🎵Alla battaglia
🎨Bronzino(1503-1572)
Portrait of Cosimo I de' Medici, 1545
🤗💝buongiorno a tutti/e🙋
e ricambio questo Bronzino a caro John con affetto🫶😉✨
Dans la vente Old Masters Part I @Sothebys , le Portrait d'homme (quasi inédit) de Bronzino a obtenu 9 M$ (est. 3/5M), l'étude de Saint Jérôme de Van Eyck est vite montée puis s'est arrêtée au milieu de son estimation (2,5 M$). L'Ecce Homo de Titienvendu récemment comme suiveur
#BlueMonday con los fondos de los retratos de #Bronzino, que atrapan nuestra mirada.
Technical analysis by the @ArtGalleryofNSW of its portrait by Bronzino of Cosimo I de’ Medici in armour has revealed more details of the mysterious underlying portrait.
Read the full article in our January issue: https://t.co/jB0811o3Jl
Magníficos los Frescos del Palazzo Vechio de Florencia.
Magnífico BRONZINO.🖌️
Bronzino was seen as a mannerist painter in that he stretched & twisted bodies to achieve an elegant form. His religious images are fine examples of that. The Virgin (1555), Cosimo I de’ Medici (1559), Noli Me Tangere (1561) & Allegory of Happiness (1564)
Bronzino’s portrait of Colonna is an essay in masculinity, as well as humour. That humour also appears in his ‘baby’ portraits. Stefano IV Colonna (1546), Don Garcia de’ Medici (1550), Holy Family (c1550) & Portrait of a Lady (1550). The latter is one of his warmest works
From 1540-1 Bronzino was working on the fresco of the Chapel of Eleanora di Toledo in the Palazzo Vecchio. To experience this room is a highlight of a visit to Florence. It’s a fine hybrid of his religious & sensual approach
Tu mi portasti un po' d'alga marina
Nei tuoi capelli, ed un odor di vento,
Che è corso di lontano e giunge grave
D'ardore, era nel tuo corpo bronzino:
- Oh la divina
Semplicità delle tue forme snelle -
Dino Campana
🖌Joaquin Sorolla
@nicoleaube #arts #artlovers #painting #donneinarte #music AGNOLO BRONZINO - sacra famiglia 1555
"暗殺者"
書斎にシヤロツト・コルデーの絵を掛けて父はゆるしけむ美しき暗殺者を
──片山廣子『野に住みて』
painting: Peter Ilsted, Agnolo Bronzino, Henri Fantin-Latour
Agnolo Bronzino " Deposizione di Cristo" Musee de beaux arts Besancon. Francia Buonanotte a tutti a domani.
#OnlineArtExchange #CelebrateSculpture🗿#art
'Retrato de un joven con una escultura' (1540-1550) por Agnolo Bronzino. Sus retratos siempre esconden mucho más de lo que muestran. Conservado en el Museo del #Louvre, París.
Bronzino was seen as a mannerist painter in that he stretched & twisted bodies to achieve an elegant form. His religious images are fine examples of that. The Virgin (1555), Cosimo I de’ Medici (1559), Noli Me Tangere (1561) & Allegory of Happiness (1564)
Bronzino’s portrait of Colonna is an essay in masculinity, as well as humour. That humour also appears in his ‘baby’ portraits. Stefano IV Colonna (1546), Don Garcia de’ Medici (1550), Holy Family (c1550) & Portrait of a Lady (1550). The latter is one of his warmest works
From 1540-1 Bronzino was working on the fresco of the Chapel of Eleanora di Toledo in the Palazzo Vecchio. To experience this room is a highlight of a visit to Florence. It’s a fine hybrid of his religious & sensual approach