He was the ultimate Academician in that his first concern was status & clique whereas those artists of stature choose their own path (Rembrandt, Kollwitz, Rego & Goya etc). Lady Frances Finch (1781-2), Captain Coussmaker (c1782), Self (1780) & Countess Spencer (1781-2)

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Käthe Kollwitz,
Woman with Dead Child, 1903

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9- Käthe Kollwitz,(1867- 1945), German
Woman with Dead Child, 1903, brings a traumatizing subject —that of losing a child
Käthe Kollwitz was not an artist to shy away from taboo subjects. In Love Scene, 1909, a naked woman is keenly involved with her lover.

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Can thoroughly recommend the MAKING MODERNISM show at the Royal Academy, London.

A fascinating exhibition of selected works by four female artists from the early 20th C: Paula Modersohn-Becker, Kathe Kollwitz, Gabriele Munter and Marianne Werefkin.

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Woman with Dead Child, 1903, Käthe Kollwitz, [3559 x 3120]

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Exploring themes of identity, representation & belonging through pioneering Paula Modersohn-Becker, Kӓthe Kollwitz, Gabriele Münter & Marianne Werefkin at

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Details from ’s exhibition new exhibition ‘Making Modernism’, devoted to the work of Paula Modersohn-Becker, Kӓthe Kollwitz, Gabriele Münter and Marianne Werefkin.

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Käthe Kollwitz, Self-portrait with hand to forehead, 1910. Etching

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Käthe Kollwitz, Julie Wolfthorn, Sabine Lepsius, Dora Hitz & Maria Slavona habe ich als Mitbegründerinnen der Berliner Secession kürzlich vorgestellt. Es gab noch einige wenige andere weibliche Mitglieder, z.B. Ernestina Orlandini, die diese wunderbaren Ranunkeln gemalt hat. 1/5

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22 September 1970: stamps issued in East Germany depicting works by Käthe Kollwitz, Ernst Barlach & Otto Nagel. This stamp shows Kollwitz's 'Nie wieder Krieg'.

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Kathe Kollwitz, Conspiracy, 1897

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Born on this day, 8th July in 1593, Artemisia Gentileschi, Italian Baroque painter and 8th July 1867, Käthe Kollwitz, German artist and printmaker

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Käthe Kollwitz, Self-Portrait, 1890, German artist whose passion for socialist politics would hugely influence her work, often depicting the plight of the working classes

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ケーテ・シュミット・コルヴィッツ(: Käthe Schmidt Kollwitz, 1867年 - 1945年)は、ドイツの版画家、彫刻家。周囲にいた貧しい人々の生活や労働を描いた外、母として・女性としての苦闘を数多の作品に残した。

死んだ我が子を抱く作品などは、現代のピエタだ🤧

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22 September 1970: stamps issued in East Germany depicting works by Käthe Kollwitz, Ernst Barlach & Otto Nagel. This stamp shows Kollwitz's 'Nie wieder Krieg'.

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❝My work is not pure art… but it is art nonetheless. It is all right with me that my work serves a purpose. I want to have an effect on my time, in which human beings are so confused and in need of help.❞

—Käthe Kollwitz, born on this day, July 8, in 1867

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Käthe Kollwitz, Bread! (1924), lithograph. Part of the print portfolio entitled 'Starvation' made to raise money for Workers International Relief, an organisation created 'neutralise the agitation caused by international capitalism'.

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