Farbdruck Goldfischfang, um 1925 Jeanne Mammen, ,1890-1976.

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Jeanne Mammen, She Represents aka Carnival Scene (ca. 1928), Berlin.
© VG Bild-Kunst, Bonn 2017

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Jeanne Mammen, German artist who captured Berlin nightclubs, cafés and their performers and artists, as well as their bohemian, intellectual and gay clientele, during the Weimar period (1918-1933)

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Remembering German & illustrator Jeanne Mammen, 1890. The Nazis condemned her work as 'too Jewish' and closed down many of the journals she worked for. After the war she gathered the detritus from the devastated streets of Berlin to make reliefs

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"Goldfisch Fang" (Goldfish Fishing) by Jeanne Mammen, 1925

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Jeanne Mammen, German artist who captured Berlin nightclubs, cafés and their bohemian, dancer, intellectual and gay clientele, during the Weimar period (1918-1933)

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Throughout her life she primarily chose women as a motif: Sometimes as exaggerated caricatures as a way to typify “the face of the time”, sometimes in intimate or eroticized surroundings to which men were denied access📘 🏛
Jeanne Mammen, Carnival, 1931

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Jeanne Mammen, Stroll along the Kudamm, c. 1929 https://t.co/LM9EMtUMF1

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Langweilige Puppen (Boring Dolls) 1929, by Jeanne Mammen, German painter who portrayed the bohemians of the Weimar period cabaret scene

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Jeanne Mammen, The Contemplative Drinkers, C. 1929, Watercolour and pencil on paper

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Jeanne Mammen, la artista «degenerada» que retrató el mundo queer
https://t.co/gxDtwG5zlq
via

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Two Kids are Reading by Jeanne Mammen, 1928.

Wish I looked this creepy & gothic while turning a page.

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Intrigue by Jeanne Mammen, 1933. Is it just me, or could that middle woman totally be Dietrich?

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