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Jeanne Mammen, She Represent, ca. 1928
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Jeanne Mammen, German artist who captured Berlin nightclubs, cafés and their performers and artists, as well as their bohemian, intellectual and gay clientele, during the Weimar period (1918-1933) #WomensArt
Jeanne Mammen, At the Cradle, c. 1931 #jeannemammen https://t.co/LwrUZDijdD
Jeanne Mammen, German artist who captured Berlin nightclubs, cafés and their bohemian, dancer, intellectual and gay clientele, during the Weimar period (1918-1933) #WomensArt
Throughout her life she primarily chose women as a motif: Sometimes as exaggerated caricatures as a way to typify “the face of the time”, sometimes in intimate or eroticized surroundings to which men were denied access📘 @SCHIRN 🏛 @BG_Museum
Jeanne Mammen, Carnival, 1931 #pride
Jeanne Mammen, The Digue in Ostende, c. 1926 #jeannemammen https://t.co/53khHwWuSJ
Jeanne Mammen, Stroll along the Kudamm, c. 1929 https://t.co/LM9EMtUMF1 #jeannemammen
Langweilige Puppen (Boring Dolls) 1929, by Jeanne Mammen, German painter who portrayed the bohemians of the Weimar period cabaret scene #WomensArt
Jeanne Mammen, At the Cradle, c. 1931 https://t.co/LwrUZDijdD #jeannemammen
Jeanne Mammen, The Butcher Shop, c. 1931 https://t.co/Ad4SBs01Ve #jeannemammen
Jeanne Mammen, The Contemplative Drinkers, C. 1929, Watercolour and pencil on paper
Jeanne Mammen, la artista «degenerada» que retrató el mundo queer
https://t.co/gxDtwG5zlq
via @La_Felguera
Stroll along the Kudamm, Jeanne Mammen, c. 1929 https://t.co/LM9EMtUMF1 #jeannemammen #harvardartmuseums
Two Kids are Reading by Jeanne Mammen, 1928.
Wish I looked this creepy & gothic while turning a page.
Intrigue by Jeanne Mammen, 1933. Is it just me, or could that middle woman totally be Dietrich?
The Digue in Ostende, Jeanne Mammen, c. 1926 https://t.co/53khHwWuSJ #harvardartmuseums #jeannemammen