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Jeanne Mammen, She Represent, ca. 1928
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Jeanne Mammen, She Represents aka Carnival Scene (ca. 1928), Berlin.
© VG Bild-Kunst, Bonn 2017
Jeanne Mammen, German artist who captured Berlin nightclubs, cafés and their performers and artists, as well as their bohemian, intellectual and gay clientele, during the Weimar period (1918-1933) #WomensArt
Remembering German #painter & illustrator Jeanne Mammen, #BOTD 1890. The Nazis condemned her work as 'too Jewish' and closed down many of the journals she worked for. After the war she gathered the detritus from the devastated streets of Berlin to make reliefs #WomensArt #LBGTQ
Jeanne Mammen, At the Cradle, c. 1931 #jeannemammen https://t.co/LwrUZDijdD
Jeanne Mammen, German artist who captured Berlin nightclubs, cafés and their bohemian, dancer, intellectual and gay clientele, during the Weimar period (1918-1933) #WomensArt
Throughout her life she primarily chose women as a motif: Sometimes as exaggerated caricatures as a way to typify “the face of the time”, sometimes in intimate or eroticized surroundings to which men were denied access📘 @SCHIRN 🏛 @BG_Museum
Jeanne Mammen, Carnival, 1931 #pride
Jeanne Mammen, The Digue in Ostende, c. 1926 #jeannemammen https://t.co/53khHwWuSJ
Jeanne Mammen, Stroll along the Kudamm, c. 1929 https://t.co/LM9EMtUMF1 #jeannemammen
Langweilige Puppen (Boring Dolls) 1929, by Jeanne Mammen, German painter who portrayed the bohemians of the Weimar period cabaret scene #WomensArt
Jeanne Mammen, At the Cradle, c. 1931 https://t.co/LwrUZDijdD #jeannemammen
Jeanne Mammen, The Butcher Shop, c. 1931 https://t.co/Ad4SBs01Ve #jeannemammen
Jeanne Mammen, The Contemplative Drinkers, C. 1929, Watercolour and pencil on paper
Jeanne Mammen, la artista «degenerada» que retrató el mundo queer
https://t.co/gxDtwG5zlq
via @La_Felguera
Stroll along the Kudamm, Jeanne Mammen, c. 1929 https://t.co/LM9EMtUMF1 #jeannemammen #harvardartmuseums
Two Kids are Reading by Jeanne Mammen, 1928.
Wish I looked this creepy & gothic while turning a page.
Intrigue by Jeanne Mammen, 1933. Is it just me, or could that middle woman totally be Dietrich?