Michael Moorcock’s Elric of Melniboné
as seen by Caza, Charles Vess, Mike Mignola, Brom

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And finally
- The Bane of the Black Sword
- Stormbringer

This is the end of his saga, everything released after it fits between these previous stories. On books you have also have the vol 3 of chronicles telling previous stories and there's og comics written with Moorcock

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Mangakas are also influenced by western authors and illustrators, its the same art form. Take Berserk for example, it's hard to not see golden/silver age visual influence, or even conceptual wise like in Moorcock writing

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First foray into Pixel art! Its a bit rough, but I think it looks neat! Here is a quick little Elric sprite to kick it off with

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Happy Birthday to Michael Moorcock, one of the true kings of Sword & Sorcery!

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I'm basically done putting art on here as it gets even more buried now, but it's Michael Moorcock's birthday today so I can't resist.
Here's a couple of very old pieces: Me as Elric by & Bauhaus' Peter Murphy as Elric by me.

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A big influence on The Crimson Tower was the works of Michael Moorcock. That heavy metal brooding fantasy was something we wanted to be very aparent in the mood.

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A new Elric book before the holidays! How awesome is that?! Can't wait to jump into The Citadel Of Forgotten Myths.

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💥Ends Today! 💥The campaign for Violet Dawn has only a few hours left. It draws inspiration from classic sword-and-sorcery writers such as Robert E. Howard, C.L. Moore, and Michael Moorcock, and the comic books of Moebius and P. Craig Russell.
Link: https://t.co/07ZAJHfYUT

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Just finished a fresh concept work for my portfolio - a Mantis guard! Inspired by my encounters with many a mantis this summer on Skiathos, and by Hawkmoon series by the great Michael Moorcock!

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One of my favorite side characters in Moorcock's multiverse, Sepiriz/The Warrior in Jet and Gold. I like in Hawkmoon how he's just a largely silent knight that kicks ass while in Elric's Saga he is a powerful mage that gives a ton of exposition.

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In 1962 Moorcock wrote The Sundered World's, his first novel published under his own name. It also introduced his lifelong fascination with the multiverse: a landscape of intersecting alternative realities.

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ELRIC de Melniboné regresará este año: Michael Moorcock publicará THE CITADEL OF FORGOTTEN MYTHS, una nueva novela de su campeón eterno albino, aquí os cuento todos los detalles: https://t.co/J4H2yPTVhA

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Príncipe de la túnica escarlata, de la mano de plata 🔥👑⚔️

Segunda confesión del Tintubre: me fascinan los personajes de Moorcock, y cualquier excusa es buena para hacer una interpretación de ellos 👁️

Con ustedes,

NO.3 ✺ CORUM

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Carving Out Destiny: Stormbringer by Michael Moorcock – https://t.co/8BbuU3iFW7 (via )

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Some of the things I discussed on the Problem History of Speculative Fictions panel from last night includes Alan Moore's deconstruction of Harry Potter in League Century, Moorcock's essay Starship Stormtroopers, Spinrad's Iron Dream, and Lovecraft's 1937 letter. https://t.co/ilNg9LzdDG

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Lord Jagged of Canaria, 1976, inks, 50.5 x 34.5cm
My first full colour fantasy paperback commission, from Granada/Mayflower (London) at the request of for his book The End of All Songs. It led to many other commissions, for which I am profoundly grateful to Mike.

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Epic Illustrated, issue 3, 1980, from Marvel Comics, features cover art by Paul Gulacy, with adaptations of Michael Moorcock, and Robert E Howard stories among many others

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Panels from the KERKA short "Crossed Roads".
Go give it a read if you haven't yet and get a glimpse into the coming dark science fiction saga, inspired by the greats of Giger, Moorcock and Nihei.



https://t.co/oPfIWBTbFS

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