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'The Studio,' (1906) is among Walter Sickert’s most accomplished figure paintings. The scene is a mirror image, containing within itself a second mirror image, and further deconstruction reveals that the surface of the painting is a disguised looking mirror the painter is facing.
Walter Sickert’s “Mornington Crescent Nude” (1907) @FitzMuseum_UK #art #twitart
I love the #stories surrounding art. #Sargent’s ‘scandalous’ portrait of Mme. Gautreau, he had to change the strap & the name to Mme X. Did #Sickert’s Ripper painting mean he was the serial killer? One of my favs continues to defy interpretation, #Giorgione’s La Tempesta #vss365
#vacillant - hesitant; indecisive or havering. In Scots to ‘haver’ means ‘to talk foolishly’ (see The Proclaimers ‘500 miles’). #Sickert’s paintings of the Camden Town Murders of 1907, are seen as evidence that he was Jack the Ripper or is #PatriciaCornwall just havering? #vss365