Good morning - I hope you slept like a drosophila-stuffed sundew - I'm starting with 'Dance of the Wind and Storm' by Thomas Blackshear. Offset lithograph, 1996.

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🎨Thomas Blackshear b.1955
American artist
“Single Focus”

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Thomas Blackshear II, Dance of the Wind and the Storm, 1996 [2048x1510]

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Interview with ILW61 Judge

Our third Illustration West 61 interview is with Thomas Blackshear, II, who was also a judge for our ILW 34. Board member Jon Messer, Secretary, conducted the interview with Thomas.
Click here: https://t.co/GLlrOjoeq8

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Thomas Blackshear's original airbrush and pastel poster art for LEGEND, 1985

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A sketch I did of a new oc, Beezlebub. Inspired by cult of the lamb, it's really fun and I love it so far. I am open for commissions as well.

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'Dance of the Wind and Storm' by Thomas Blackshear. Offset lithograph, 1996.

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dance of the wind and storm by thomas blackshear II

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Visionary paintings by African-American artist Thomas Blackshear

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Thomas Blackshear
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Biggest inspos for this secret little animation are these paintings by Thomas blackshear/ mark maggiori respectively... some of my fave ever

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Aha got you
Based on the evangelical painting by Thomas Richman Blackshear
I thought it would be fitting to do it based off of religious media

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Thomas Blackshear has to be my top pick

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Was doing a project for school and accidentaly found one of my favourite modern artists so I present to you art of Thomas Blackshear:

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The works of Thomas Blackshear.

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I am absolutely over the moon to announce that will be releasing Perry Blackshear's inspired 2015 psychological horror feature debut THEY LOOK LIKE PEOPLE on Blu. I saw this movie on its fest run & to this day view it as one of my top fav indie horrors of all time https://t.co/FXRHPRxJnF

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7. Thomas Blackshear

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Gm! 🌬 🌪 🌧

Dance of the Wind and Storm, Thomas Blackshear, 1996

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Good morning - I hope you slept like a drosophila-stuffed sundew and your roof is where you left it last night - I'm starting with 'Dance of the Wind and Storm' by Thomas Blackshear. Offset lithograph, 1996.

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