DEATHWING (2010)

Acrylic on Canvas - 48" x 36"

The general concept for this work was spelled out to me by my art director and contact at Blizzard, Jeremy Cranford.

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"Cranford" by Elizabeth Gaskell is one of my favourite comfort reads. It tells the story of a small circle of women in an English country town and is available at https://t.co/bUUcIgO5SF.

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I'm proud to say my illustration, "The Great Salt City" got second honorable mention for SmART School's recent portfolio competition!

Thanks to Jeremy Cranford for judging, and Matthew Mitchell and Rebecca Guay for organizing the competition!

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Reposting the Vin piece because it has been selected by Jeremy Cranford as the winner of the SAS January portfolio prize!
I'm beyond happy for the recognition, thank you so much!! 💜💜

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My 1st ever professional illustration job! Goblin SWAT Team. Back in 2003, I met Magic art director Jeremy Cranford at a SDCC portfolio review and landed my first commission. I am sure I had heard of Magic from doing some industry research but I had no clue what the game entailed

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Tom behind the scenes of Return To Cranford. ♥️🥰 ♥️ 👶🏻👨🏼‍🦱

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What a great session with A.J. at . Sharon runs a wonderful session. Working throughthe rustiness with and https://t.co/Z0p48lb4vq

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⏩Closing out the week by once again drawing even more inspiration from my own Carlito’s Barbershop in and his awesome 💈

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He looks a bit dead here but HAHAHAH it's in Return to Cranford with this 😒 expression! :P

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