5/6 Typofonderie's Year in Review 2022
November: Austerlitz
Austerlitz, is a humble typeface in small sizes & a charming Parisian Didot in large sizes. 56 fonts divided into 4 optical sizes of 7 roman & 7 italic.
https://t.co/eryJITVYv5

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Finishing a sand mold to cast 2 bronze axes of earliest models ca 3500 bc. We're artist-craftsmen of very various disciplines, experimenting about using bronze casting in many other arts.

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Ardoise met the needs of publications. By extension, it met the needs of a newpapers typeface featuring a low contrast, straightforward forms. The verticals metrics and proportions are calibrated to match perfectly others Typofonderie families.
https://t.co/Cie5hXC4Iw

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Conrad Felixmüller (1897-1977), Ouvrier d'une fonderie, 1927, . Luke Swank (1890-1944), vers 1934

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Specimen booklet for Choc (typeface by Roger Excoffon), Fonderie Olive, France, 1955. See the entire specimen on the Online Archive. https://t.co/dGmLO9euyC

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Artist in residence letterpress prints from got shipped from his studio to Fonderie Darling!

He’s having work at our upcoming “Drawing Connections” exhibition at our Airport Gallery. RSVP to the 2/22 reception here:https://t.co/Ysn1AqvfOj

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Stylo specimen (typeface by Max Loewe), La Fonderie Typographique Française, Paris, ca. 1931.

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