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5/6 Typofonderie's Year in Review 2022
November: Austerlitz
Austerlitz, is a humble typeface in small sizes & a charming Parisian Didot in large sizes. 56 fonts divided into 4 optical sizes of 7 roman & 7 italic.
https://t.co/eryJITVYv5
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#typefaces #fonts #typography
Finishing a sand mold to cast 2 bronze axes of earliest models ca 3500 bc. We're artist-craftsmen of very various disciplines, experimenting about using bronze casting in many other arts. #foundry #mixedmedia #bronzeage #sandcasting #bronzeaxe #frenchartists #fonderie
Ardoise met the needs of publications. By extension, it met the needs of a newpapers typeface featuring a low contrast, straightforward forms. The verticals metrics and proportions are calibrated to match perfectly others Typofonderie families.
➽ https://t.co/Cie5hXC4Iw
Conrad Felixmüller (1897-1977), Ouvrier d'une fonderie, 1927, @DHMBerlin. Luke Swank (1890-1944), vers 1934 @cmoa
Specimen booklet for Choc (typeface by Roger Excoffon), Fonderie Olive, France, 1955. See the entire specimen on the Online Archive. https://t.co/dGmLO9euyC
Artist in residence #DanSWang’s letterpress prints from #PropositionsPress got shipped from his studio to Fonderie Darling!
He’s having work at our upcoming “Drawing Connections” exhibition at our Airport Gallery. RSVP to the 2/22 reception here:https://t.co/Ysn1AqvfOj
Roger Excoffon, Choc typeface specimen, Fonderie Olive, 1955. See the entire specimen on the Online Archive. Join for beta access: https://t.co/a126kCJcU2