Tonight, it’s the season premiere of Tokusatsu Night At The Movies on . First at 7 pm ET, an evil psychic plots to resurrect a madman and harness his power to destroy Tokyo in Akio Jissoji’s TOKYO: THE LAST MEGALOPOLIS (1988).

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If y'all love check out these other amazing films!

Ultra Q: The Movie (1990); dir. Akio Jissoji

Ultraman: The Next (2004); dir. Kazuya Konaka

Attack on Titan: Part 1 & Part 2 (2015); dir. Shinji Higuchi

Shin Godzilla (2016); dir. Hideaki Anno & Shinji Higuchi

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実相寺昭雄三部作の予告
『哥』で使われているヴィヴァルディの「四季」
なんでこんなかっこいいんだろ
脳汁出そう

Akio Jissoji: The Buddhist Trilogy - trailer
https://t.co/yscm7d8ucC

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i need to change the display settings on my tablet that is not jissom

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Romeo Jisso is Jolyne's ex boyfriend he worked with Dio's henchmen to frame Jolyne for murder and hired a hack lawyer to keep send her to prison so she can get murder, our heroes meet up with him and he gets a sticker on his tongue and yikes when it rips.

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Stone Ocean Villain Run 1: Romeo Jisso

Vehicular manslaughter and being a coward are a dangerous mix.

In celebration of the anime adaptation, we're doing a Villain Run again! One Stone Ocean villain every Friday 😊 Starting off with this little worm

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Yeah the Jissouseki have a tendency to shit themselves (sometimes to death), so the smell must be sublime.

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HEJVJISSODNSIDNXISXNSXI DA DINICSIHCIHIZCONZCNS

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Ultraman (1966-1967) - Episode 15, "Terrifying Cosmic Rays" (1966, dir. Akio Jissoji)

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¡¡¡Feliz cumpleaños Jisoo!!!🎉🥳
Mi niña cumple 26 añitos, aunque para mi sigue siendo una bebé🥺❤❤



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An amorphous kaiju design for the unproduced Ultra Q episode “Endless” drawn by Tohl Narita; the episode was supposed to be directed by Dir. Jissoji based on the script he wrote on his own by the pseudonym Yuri Manpukuji

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"Jissoji’s films will often address the ideological structures that shape his subjects’ desires. POEM features a scene where Jun reads Klossowski’s 'La monnaie vivante'..."
Continue reading 's piece on , essential for this Sat., Feb. 22: https://t.co/gWqLHirwgC

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"Jissoji's film focuses intensely on textures, patterns and forms, from human skin to stone and wood...they can endure in any shape or form, yet are inevitably bound to whither..." - on THIS TRANSIENT LIFE screening Feb 15 & 22 https://t.co/gWqLHirwgC

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