Gabriele Münter (German, 1877 – 1962)
Blumen Rosa, 1958

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German art at the gallery includes one of Münter’s greatest portraits (1908) Girl with Red Ribbon as well as the magnificent expressionist Frauen im Garten (1915) by Nolde. I love, too, the Georg Pencz (1549) portrait of a Gentleman aged 28

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¡Os deseo un bonito domingo! 👋
GABRIELE MÜNTER (1877-1962), fue una de las pocas figuras femeninas relacionadas con el Expresionismo alemán.
Alumna, colaboradora y compañera sentimental de Vasily Kandinsky.

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Gabriele Münter, Houses in snow, 1933

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Exploring themes of identity, representation & belonging through pioneering Paula Modersohn-Becker, Kӓthe Kollwitz, Gabriele Münter & Marianne Werefkin at

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Details from ’s exhibition new exhibition ‘Making Modernism’, devoted to the work of Paula Modersohn-Becker, Kӓthe Kollwitz, Gabriele Münter and Marianne Werefkin.

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Gabriele Münter. Study of a Haywagon, 1908

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Gabriele Münter – Study of a Haywagon, 1908

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Painted within the first few days of Kandinsky and Gabriele Münter's move to Rapallo near Genoa in 1905, we can see how Kandinsky has spontaneously and energetically
applied the paint with a palette knife, quickly capturing the movement of the sea.

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Blumen Rosa, 1958.

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🎨 Gabriele Münter

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Gabriele Münter (Allemagne, Berlin 1877 - Murnau am Staffelsee 1962 - Expressionnisme, Mouvement "Der blaue Reiter") "Blumen Rose" (1958)

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Painted in 1910, Marianne von Werefkin's 'Rythmen,' depicts the countryside at Murnau, where from 1908, Kandinsky, Münter as well as Alexej von Jawlensky developed their novel expressive style of painting, marking the beginning of the history of Der Blaue Reiter.

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Gabriele Münter
Fuchsia in front of a moonlight window
1928

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Münter gave us a significant number of portraits of her friends & family. These are startlingly modern & exciting. Each utterly beguiling. Portrait of Anna Roslund (1917), In der Erdbeerzeit (1919), Woman in Stockholm (1917) & Meditation (1917)

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