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An alternative to reading the back of the cereal box: l👀k for the 100 frolicking 🦌🦌🦌that encircle this #18thC vase inspired by bronze vessels (Zun). The hide & seek playfulness is offset by symbols like 🍑🏔& 🍄
🖼:Vase Zun with 100 Deer, Qing Dynasty, #porcelain @romtoronto
🎉😀Confirmed yeses from our contributors mean that @M__Foot & I can officially announce that we’ve signed a contract with @Arts_Routledge for our edited volume ‘Art, Music & Mysticism at the Fin de Siècle:Seeing & Hearing the Beyond.’ Wouldn’t the Delville make a great cover?
🐱Happy #Caturday
This scene-stealing cat! Offering viewers a welcome diversion from all that meaty Rubenesque flesh but also a warning to not judge others for sins for which they themselves are guilty.
🖼Hendrick #Goltzius
‘The Fall of Man,’1616 @ngadc
#Baroque #ArtHistory
@DrFrancisYoung Looks like it trotted out of a Rococo painting. Take this for example: #FrançoisBoucher, ‘Pense t-il aux raisins?’ 1747 @NatMus_SWE. Right?
😀🎄Happy holidays to you & yours. And to those who are spending the festive season alone, only do what makes you happy. I will be baking, balloon twisting, and as you can see below, having some fun with stickers on my Insta stories. 2020 was a mess but 2021 will be on the mend👍🏻
It was such a TREAT to tour #TheGreatDivide @batashoemuseum with curator @esemmelhack! Probing & provocative, the exhibition investigates how #shoes engaged in the discourse & lived reality of politics, economics, social dynamics, race & gender during the #Enlightenment. #18thC
🦪🦪🦪Who needs lustrous pearls when you have #oysters as scrumptious as these by #Manet? And who knew that swirls of brown, beige, & cream could look this mouthwatering? Happy #NationalOysterDay! 🖼Pictured: ‘Oysters’ 1862 @ngadc
#impressionism #19thC #arthistory #painting #art
@SandRussellArt @AteneumMuseum Thanks!Wowed by her mastery across genres.
🖼: ‘Girl with a Madonna’ 1881;
Kulturmagasinet, Helsingborgs museum.
‘The Bakery’1887; Ostrobothnian
museum.
‘March Labrador Tea’ 1903; Reitz Foundation
‘Park Bench, Shadow on the Wall, Reinterpretation II’ 1929; @DidMuseum
Flowebomb hydrangeas & dainty beribboned shoes in honour of #JohnSingerSargent— born #OTD in 1856. 🥳 Happy birthday! 🖼#Sargent, ‘Portrait of Helen Sears’ 1895 @mfaboston
#Degas’ drawings done with brush in *essence* (turpentine?) on tinted papers were instant coups de coeur. The essence enabled his brush to glide over the paper, imbuing the work with a fluidity and speed of execution that captures the dancers’ movements. #DegasOpera @MuseeOrsay