Bright Wall/Dark Roomさんのイラストまとめ

"Toggling between the universal and the specific within a kind of symphonic structure, THE TREE OF LIFE builds an ethereal, impressionistic sense of movement and time that ebbs and flows like a memory or a dream."
https://t.co/9NrIOXf6bF

The legendary Liv Ullmann turns 83 today! Here’s the wonderful interview @lauren_wilford did w/ Ullmann for our Ingmar Bergman issue.

(artwork by @studiotstella)

https://t.co/3LE10auaqU

"The English Patient reproduces the experience of getting lost. Or, if not lost, then of finding yourself somewhere so unfamiliar that the process of knowing it will change you irreparably." https://t.co/BqhG6ktBVn

"Like most of the serial killer thrillers it’s said to vanguard, MANHUNTER smacks of gender. Our hardened hero is not just softened by his traumatic past, but broken by it, his manhood warped by the terror that now governs him." -@k8bushofficial
https://t.co/sVQV34fztD

New today on the site:

@lwood5010 on THE ENGLISH PATIENT, map-making, the adjectives we use, and the places we're from.

(art by @studioralston)

https://t.co/BqhG6kLdjX

"Like most of the serial killer thrillers it’s said to vanguard, MANHUNTER smacks of gender. Our hardened hero is not just softened by his traumatic past, but broken by it, his manhood warped by the terror that now governs him." https://t.co/sVQV34fztD

New today on the site:

Our December issue begins! With @k8bushofficial! On Michael Mann's MANHUNTER!

(& new art from @studioralston!)

https://t.co/sVQV34fztD

“I Hate Every Kind of Goodbye”: The Long, Slow Road to Orson Welles' THE OTHER SIDE OF THE WIND -@kebayf

https://t.co/Wbziznc6Dd

(🎨 by @studioralston)

"The story of TALES FROM EARTHSEA is a chronicle of a misused director and the parade of misunderstandings that torpedoed his debut, nearly taking his career with it." -@aeneas_nin https://t.co/lK7XGiym5P

"In the six-decade and soon-to-be-25 film oeuvre of the Bond series, DIAMONDS ARE FOREVER stands out as the most peculiar entry in the franchise thanks to its unintentional embrace of the surreal & the challenges it poses to its own pedigree & dogma." https://t.co/16yPdg8mkI