Bright Wall/Dark Roomさんのイラストまとめ

"As a narrative, Kieślowski's RED is often recursively and sometimes even reflexively understood. It’s a film of ellipses, of threads dropped and picked up until, suddenly, they are woven." https://t.co/afZoBJJW3K

"In the face of apocalypse, priorities change. Or, don’t change so much as crystallize into their truest forms." -@smswrites on THE LEFTOVERS (art by @studiotstella)
https://t.co/bllYLxiuTx

New today on the site:

"Whoa is Me" -@PatrickMMcGinty on opulence, style, obsession, Meta, and THE MATRIX.

(🎨 by @studioralston)

https://t.co/Eu4pgQZbRo

"Fellini manages to accomplish with film what mostly abstract painters do – namely, to communicate an emotion without ever saying or showing anything in a direct manner, without ever explaining anything, just by a sort of sheer magic." -David Lynch on Fellini, both #bornonthisday

“For Lynch, familiarity helps us recognize things, so they may be made strange—or shown to have always been stranger, more supple than we supposed.” -@gutomako on MULHOLLAND DRIVE (🎨 by @brianna_ashby)

https://t.co/4DZxgUCLjx

"3 seemingly dissimilar works united by 3 seemingly diffuse concepts that all lead back to the same place: the unique capacity of film to evoke some of the mind’s most indescribable sensations." -@Ethan_Warren_ on Sunset Blvd, Eraserhead, & The Shining https://t.co/xcYJYjevRx

“Repo Man is like a piece of bubblegum with a shard of glass in it, the sort of deranged prank that draws blood.” https://t.co/l98yGMo2du

"My House, My Coffee, My Rules" -@kelsfjord on KNIVES OUT (art by @brianna_ashby) https://t.co/XmaCDoTZR0

Six Sonnets for Jane Campion's BRIGHT STAR
(words: @franhoepfner art: @brianna_ashby)
https://t.co/WGpmytMYBX

All of our very best & happiest birthday wishes to Hayao Miyazaki, who turns 81 today—and is busy working on a new film, HOW DO YOU LIVE? 👑

(art by @brianna_ashby)