Bright Wall/Dark Roomさんのイラストまとめ

"The Empire Strikes Back is about doing the work after all passion for that work is gone, about the slow, hard attempts to see a long-term plan through with no hope of success in sight." -@dodgyboffin https://t.co/4nituvzVmw

“Paul Simon songs are shorthand for loneliness, connection, global curiosity, spiritual ambivalence, and the sweet ache of memory; he’s the perfect supplement to a certain kind of film.” -@whathappened (🎨 by @brianna_ashby) #BOTD #Happy80th

https://t.co/9qaPvEJgFu

New today on the site:

Our 100th issue continues with Karina Wolf (@wolfandfox), who wrote our first essay in Issue #1, on Julian Schnabel's THE DIVING BELL AND THE BUTTERFLY.

(art by @studioralston)

https://t.co/rSyzBfKtjL

"Danse Macabre" -@teamblock on the uncanny horrors of Disney's 1929 short, The Skeleton Dance (🎨 by @brianna_ashby)
https://t.co/lkvyiSAd00

@youandyourband @Ethan_Warren_

.@burritotheif on the addictive trashiness of ADORE (art by @tinface) https://t.co/k1mCxAdCxl

Saturday night = the perfect night to catch up on our Desert Island Movies issue https://t.co/M3jRUKtQNH

Today on the site: @burritotheif on “the addictive trashiness” of 2013’s Adore, “a film that sells you on its prestige aesthetics only to cause you an existential crisis later on down the road” (🎨 by @tinface) https://t.co/k1mCxAvdVV

Very excited to announce our 100th Issue—Transcendence—which kicks off next week! All month long we'll be featuring some of our favorite voices from @BWDR's past & present, writing on everything from BLOW OUT to THE TREE OF LIFE to HUBIE HALLOWEEN #BWDR100 https://t.co/0tqu4inLOI

Out There in the Dark: A Theoretical Investigation into the Link Between Sunset Boulevard, Eraserhead, and The Shining -@Ethan_Warren_ (🎨 by @studiotstella) https://t.co/xcYJYjevRx