Bright Wall/Dark Roomさんのイラストまとめ

"A perfect comedy duo will make their audience feel like a lucky participant instead of just a passive audience member, a welcome guest in a secret world."

-@AgreeableCar on "the ur-bromance" (& breakup) of Martin & Lewis

(🎨 by @studiotstella)
https://t.co/rTwIoiZLat

“THE TREE OF LIFE seems to suggest that taking in and loving this world for what it is, while also engaging with its deepest mysteries, is exactly how you grow and shape a soul.” -@everybody_cares https://t.co/9NrIOXf6bF

“The antidote, then, is a film like The Tree of Life. Something that resets our dial, reminding us that everything matters & nothing matters, that our world is impossibly old & unfathomably large but only ever experienced through small, everyday moments.” https://t.co/9NrIOXf6bF

New today on the site:

"The Whole and Every Grain of Sand" -@everybody_cares on Terrence Malick's THE TREE OF LIFE

(art by @studiotstella)

https://t.co/9NrIOXf6bF

“Coppola’s DRACULA adaptation is hardly timeless, but maybe that’s the point. Perhaps the act of entangling a classic story within the pop culture of its reincarnation is a cunning way to bequeath it to a generation hungry to see themselves in history." https://t.co/gmymh6IhJb

"By keeping us insistently within Bauby's locked-in point of view, inside the diving bell, Julian Schnabel reminds us of the range of living & feeling still available to us, if we extend ourselves." -@wolfandfox on THE DIVING BELL AND THE BUTTERFLY
https://t.co/rSyzBfKtjL

"The Empire Strikes Back is about doing the work after all passion for that work is gone, about the slow, hard attempts to see a long-term plan through with no hope of success in sight." -@dodgyboffin https://t.co/4nituvzVmw

“Paul Simon songs are shorthand for loneliness, connection, global curiosity, spiritual ambivalence, and the sweet ache of memory; he’s the perfect supplement to a certain kind of film.” -@whathappened (🎨 by @brianna_ashby) #BOTD #Happy80th

https://t.co/9qaPvEJgFu

New today on the site:

Our 100th issue continues with Karina Wolf (@wolfandfox), who wrote our first essay in Issue #1, on Julian Schnabel's THE DIVING BELL AND THE BUTTERFLY.

(art by @studioralston)

https://t.co/rSyzBfKtjL

"Danse Macabre" -@teamblock on the uncanny horrors of Disney's 1929 short, The Skeleton Dance (🎨 by @brianna_ashby)
https://t.co/lkvyiSAd00