Bright Wall/Dark Roomさんのイラストまとめ

“The antidote, then, is a film like The Tree of Life. Something that resets our dial, reminding us that everything matters & nothing matters, that our world is impossibly old & unfathomably large but only ever experienced through small, everyday moments.” https://t.co/9NrIOXf6bF

New today on the site:

"The Whole and Every Grain of Sand" -@everybody_cares on Terrence Malick's THE TREE OF LIFE

(art by @studiotstella)

https://t.co/9NrIOXf6bF

“Coppola’s DRACULA adaptation is hardly timeless, but maybe that’s the point. Perhaps the act of entangling a classic story within the pop culture of its reincarnation is a cunning way to bequeath it to a generation hungry to see themselves in history." https://t.co/gmymh6IhJb

"By keeping us insistently within Bauby's locked-in point of view, inside the diving bell, Julian Schnabel reminds us of the range of living & feeling still available to us, if we extend ourselves." -@wolfandfox on THE DIVING BELL AND THE BUTTERFLY
https://t.co/rSyzBfKtjL

"The Empire Strikes Back is about doing the work after all passion for that work is gone, about the slow, hard attempts to see a long-term plan through with no hope of success in sight." -@dodgyboffin https://t.co/4nituvzVmw

“Paul Simon songs are shorthand for loneliness, connection, global curiosity, spiritual ambivalence, and the sweet ache of memory; he’s the perfect supplement to a certain kind of film.” -@whathappened (🎨 by @brianna_ashby) #BOTD #Happy80th

https://t.co/9qaPvEJgFu

New today on the site:

Our 100th issue continues with Karina Wolf (@wolfandfox), who wrote our first essay in Issue #1, on Julian Schnabel's THE DIVING BELL AND THE BUTTERFLY.

(art by @studioralston)

https://t.co/rSyzBfKtjL

"Danse Macabre" -@teamblock on the uncanny horrors of Disney's 1929 short, The Skeleton Dance (🎨 by @brianna_ashby)
https://t.co/lkvyiSAd00

@youandyourband @Ethan_Warren_

.@burritotheif on the addictive trashiness of ADORE (art by @tinface) https://t.co/k1mCxAdCxl