Burlington Magazineさんのイラストまとめ

In our new issue Michèle Hannoosh publishes the seven notebooks and sketchbooks Delacroix is known to have kept on his visit to Tangier, Meknes, southern Spain, Oran and Algiers - of which, two that were missing have recently reappeared.

➡️ https://t.co/9xcMHBnIAI

Applications are now open for our sixth annual scholarship for the study of French 18th-century fine and decorative arts.

£10,000 is awarded to one recipient per year and applies to a 12-month period.

Deadline: 17 March 2023

For more information: https://t.co/xGUOvT45I4

In the February issue we review the publication of the first volume of a critical catalogue of Rubens’s drawings by Anne-Marie Logan and Kristin Belkin - a sharply focused and coherent guide and major landmark in the study of the artist.

Available here: https://t.co/vZMbPXol7v

February’s issue, devoted to art and artists from Northern Europe, encompasses a newly attributed portrait by Frans Hals, a recently discovered oil sketch by Rubens and a new technical examination of a Holbein portrait.

Discover the full list of content: https://t.co/vZMbPXol7v

Technical analysis by the @ArtGalleryofNSW of its portrait by Bronzino of Cosimo I de’ Medici in armour has revealed more details of the mysterious underlying portrait.

Read the full article in our January issue: https://t.co/jB0811o3Jl

Our free review this month is 'Winslow Homer: Crosscurrents' at the @metmuseum, opening as 'Winslow Homer: Force of Nature' at the @NationalGallery on the 10th of September.

Read now: https://t.co/oJsOn7ajOV

'While he did celebrate the everyday people and places of London, always rooted in reality, time after time he saw the world afresh; familiar subjects were continually made new.'

From our review of 'Leon Kossoff: Catalogue Raisonné of the Oil Paintings': https://t.co/boH5YISOD4

This month, a red chalk drawing of the head of the horse on the Marcus Aurelius equestrian monument in Rome is attributed to the Dutch artist Hendrick Goltzius and dated to 1591, during his visit to the city.

Read more about the attribution here: https://t.co/CIkcAFuedu

Elizabeth Cropper and Lorenzo Pericolo's edition and translation of Malvasia's 'Life of Guido Reni' meets the challenges of the text and lays the basis for a future catalogue raisonné.

Access Anthony Colanuono’s review here: https://t.co/R1labtPm5X

Discover a spectacular cache of photographs taken by Ilse Bing at the Glyndebourne Opera Festival in 1937. The little-known results emphasise her significance as a pioneering photographer of live theatrical performances.
An article by Philip Boot: https://t.co/C4Zrq7c6Ck