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'The title is key: Cézanne Drawing, rather than ‘Cézanne’s Drawings’. This is not a traditional exhibition [...] visitors see that Cézanne drew on just about every piece of paper – recto and verso – that he touched.'
Read this month's free review: https://t.co/A5b4WwdF43
Today's newsletter offers exclusive access to an article from our forthcoming October issue, presenting a discovery by the @vangoghmuseum on a new work by Vincent van Gogh: Study for ‘Worn out’ from 1882.
Don't miss future free content: https://t.co/TjxHKBN6BO
Since the publication of the first issue over 100 years ago, @BurlingtonMag remains an indispensable resource as one of the world’s longest running art historical periodicals.
Curators, you are entitled to a 50% off on all subscriptions. Find out more: https://t.co/gD4z6A7Aev
This beautifully and thoroughly illustrated book constitutes the first serious investigation of the relationship between the artists Benjamin West and John Singleton Copley.
Enjoy a 30% saving with our introductory offer: https://t.co/7RQTysJDSD
'How appealing the loneliness of the Swiss mountain scenery was to nineteenth-century Romantic painters from all over Europe.'
'Im Herzen wild: Die Romantik in der Schweiz' reviewed in our current issue: https://t.co/b8nsecHZQa
A previously unknown painting is here identified as a work by Adam Elsheimer and dated to about 1599. Inspired by Elsheimer’s study of Titian’s ‘Martyrdom of St Lawrence’, it is his first nocturne with a religious subject.
In our February issue: https://t.co/n0FfJjl93D
The February issue, dedicated to Northern European Art, is now live. Discover articles on 'Silver by Adam and Christiaen van Vianen', an Elsheimer discovery, 'Art for the Delft Surgeons' Guild' and 'El Lissitzky's furniture'.
For the full list of content: https://t.co/6XD1FSyFjQ
Late 1920s E.K. Waterhouse embarked on an El Greco catalogue raisonné. His notes for this unpublished work, in the @GettyMuseum reveal that it occupies an important place in the sequence of #ElGreco catalogues in the 20th century.
Read now: https://t.co/n0FfJjl93D
‘During the conflict (WW1), de Chirico’s art evolved in Italy into the school of Metaphysical Painting, an evolution that this exhibition follows closely, but does not tackle head on.’
A review by Silvia Loreti, to read for FREE: https://t.co/Sjs2sVINe9
FINAL CALL - the @AestheticaMag annual Art Prize is soon closing! It supports both established and emerging practitioners, celebrating innovation and creativity.
Submit by 31 August for a chance to win £5000 and to showcase your work to the world: https://t.co/6GJijfy89F