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Day 7 of 12 DAYS, we give you 6 sitters sitting.
Paul Sandby was possibly employed in the 1760s to instruct the daughter of a wealthy family in Peterborough House. Does this reveal the identity of ‘A lady painting’? Find out in today’s gift: https://t.co/P5NXCyg6J8
The June issue marks a new phase in the evolution of TBM as we unveil our re-calibrated aesthetic. Since 1903, appearance has been a key element of our identity. 115 years on we embark on another venture combining tradition and innovation
More information coming soon..
"My errors will point to thinking men the various roads, and will teach them the great art of treading on the brink of the precipice without falling into it."
#Casanova: The Seduction of Europe
Have you read Duncan Robinson's review? https://t.co/YujM3kPKvy
Read Keren Hammerschlag on Alfred Gilbert's bronze sculpture Mors Janua Vitae. 'For Eliza Macloghlin the death of her husband inspired a burst of creative energy.' https://t.co/Uoe8W3NkK3
1/3 Ribera's drawings have presented many problems as well as evaded comprehension of what Ribera considered to be the purpose of drawing.
2/3 For Spawls the exhibition maps #Lassnig’s ‘innovative engagement with technology, the influence of sci-fi and her responses of war’.
1/3 In the May issue Alice Spawls comments on @HauserWirth’s Maria Lassnig: A Painting survey, 1950-2007, which closed at the end of April.
You can read the review alongside Merlin James's piece on a @_MichaelWerner_ show of Picabia's work from 2000 https://t.co/x9OZZJngNy
An article by Pierre Rosenberg in our March issue confirms the attribution of The Death of Chione (1622) to Poussin https://t.co/EgLngmFgQz
Picasso Portraits at @NPGLondon to 5th Feb (then @museupicasso) is reviewed by Marilyn McCully in our January issue https://t.co/EgLngmFgQz