The Claremont Runさんのプロフィール画像

The Claremont Runさんのイラストまとめ


The Claremont Run is a SSHRC-funded academic initiative micro-publishing data-based analysis of Chris Claremont's 16 year run on Uncanny X-Men and spinoffs.
sequentialscholars.com

フォロー数:67 フォロワー数:17088

What Claremont does with this symbology, in concert with a cadre of world-class visual artists, differs over the years, offering lots of interpretive possibilities, but overall there’s a lot of potential in it to intersect class and beauty (as concepts) in evocative ways. 11/11

2 94

This aesthetic contrast also intersects with the spatial metaphor of vertical hierarchy. Callisto is trying to bring Angel down to her level, as evidenced by her pulling out his feathers so he can’t fly anymore, and, of course, by the subterranean setting. 7/11

2 84

Indeed, the representational spaces that the Claremont run creates as the main methodology by which romances progress is deeply inviting to all readers to read between the lines (or between the panels), thus enhancing the general “ship-able-ness” of UXM. 9/9

2 137

Lastly, the characterization of the two characters is a far cry from their epic first confrontation. These are entirely different people, which is a little refreshing, but also somewhat jarring, depending, of course, on one’s attachment to either. 6/7

4 107

“We’d done it on purpose, manipulated the symbols so the readers would know at a glance that Storm had changed. Kitty took one look and – like some of our readers – burst into tears!” 3/3

16 279

Kurt reveals a desire to enjoy his life, noting “At least, I’ll be living for myself – and the woman I love instead of some amorphous dream!” before lamenting the injuries/deaths suffered by his teammates, thus calling attention to the unfair sacrifices asked of the X-Men. 5/12

4 99

Psylocke and Kitty both transitioned from somewhat fragile team members into capable offensive warriors, leaving very few women in the X-books with truly passive power-sets. 5/6

7 227

“Similarly, their participation in the world of superheroes and their vigilante justice apportion them a degree of autonomy and responsibility for communal safety at least equivalent with, but often superseding, that of adults.” 5/9

3 54

In all instances, De Blieck Jr. highlights the many pivotal choices that Orzechowski makes in his classic lettering on UXM and the subtle (often subconscious) impacts that these can have on the storytelling that we see. 4/4

2 53

And extending from there into blog entries that you can find here: https://t.co/ZfsAYrhTqT 2/4

2 40