The Claremont Runさんのイラストまとめ

“His armored body is also visually striking. It works well in a color comic to have this chrome-plated giant running around with these giant fists and pounding the bad guys. It’ a lot of fun.” 5/6

“Colossus is always a lot of fun. Any time you have to draw a big bruiser like that, you know you’re going to have a good time. There’s a lot of broad action with him because of his strength and size.” 3/6

Ironically, Adams had indeed buoyed the X-Men to modest success, but Marvel’s ability to track sales in this era was both slow and dubious. They canceled the book before they found out it was a hit. Adams went on to revitalize Batman instead of X-Men. 5/6

The page ends with her defining and introducing herself to the reader as an agent of opposing extremes: “I am Illyana Rasputin, humanity’s savior or the means of its eternal damnation.” This of course creates what will be the compelling arc of the character for years to come 8/11

Then comes the big reveal: “Half my lifetime spent on earth and half in hell where I was consort to a devil.” It is notable that Limbo is referred to as “Hell” (given her suffering there) and especially significant that she defines herself as consort, not prisoner. 7/11

Illyana also here identifies both Professor X and Piotr as agents of fate who might be partially responsible for the transition she’s undergone, thus establishing potential elements of guilt and resentment in Illyana’s two most prominent male role models. 5/11

Claremont’s contribution to the discourse surrounding femininity in superhero comics is well-established, but his contributions to that of masculinity is also quite valuable, particularly surrounding the cultivation of a hypermasculine superhero icon in Wolverine. #xmen 1/9

Rachel Summers has been identified as both a hard-suffering character and one who is heavily queer-coded. These two attributes can also be seen to intersect in order to form a poignant allegory for the hostile treatment of LGBTQ+ individuals in society. #xmen @GoshGollyWow 1/8

The same thread appears later in the run with the Genegineer and his relationship to his son, Philip. The Genegineer’s commitment to a system designed to safeguard the future costs him his son, thus enhancing the sense of ironic futility that consumes Genosha. 8/11

For Magus, Claremont uses the very idea of child-sacrifice to define both the villain and the extended villainousness of the entire species, with Warlock as a (mutant) outlier simply for his lack of desire to participate in a patricidal cycle. 7/11