The Claremont Runさんのイラストまとめ

Toward the end of Rogue’s arc in the run, we would see very much the opposite with long flowing hair, and an hour-glass form accentuated by a highly feminine bathing-suit style costume. Thus, Rogue’s gender expression changed a lot and can be read parallel to her arc. 3/13

Moreso than any character in the series (including Storm), Rogue’s gender expression is consistently foregrounded throughout the course of her character arc, drawing out key aspects of how the concept connects to sexuality, community, and identity. #xmen 1/13

It may be for this reason that Excalibur’s most-famous story arc is the cross-time caper, which features encounters with innumerable genres of storytelling. The characters can slot into any of the genres quite easily due to their pre-existing genre diversity. 10/11

Phoenix is a cosmic being steeped in Wicca symbols who also happens to hail from an SF future dystopia. 8/11

For Nash, though, the alternative is absence, which might be more politically correct but ultimately unproductive. Storm’s presence as both a sexual object and a sexual subject in the pages of UXM, if nothing else, can foster discussion on Black women’s sexuality. 8/8

Chris Claremont laid the groundwork for Kitty Pryde and Kurt Wagner/Nightcrawler to develop one of the X-Men franchise’s most complex and sustained cross-gender friendships. 1/8 #xmen

Further validation of the goddess connection comes in Ororo’s “worthy-ness” to handle her own sacred hammer. All of this, of course, pre-dates Jason Aaron’s execution of a similar portrayal for Jane Foster as the now-iconic Thor: Goddess of Thunder. 6/9

Through this simple intersection of symbols – amnesia as a state of becoming, Katie as the value of innocence, and Deathstrike as the lingering consequence of violent delights, Claremont & BWS, in just one issue, concretely defines who Logan is for the entirety of the run. 7/7

With the help of Katie Power, he starts to heal and to regain some composure and states, in Japanese, “Boku wa dare?” which means “who am I”, then he speaks again: “what am I?” also in Japanese, but this time translated into English for the reader. 3/7