The Claremont Runさんのイラストまとめ

We then transition to their state of bliss, enhanced with the arrival of baby Nathan. Then the enigmatic Gateway arrives (in both reality and in Madelyne’s dream). She screams at him to leave her perfect family alone. 5/11

The opening is a reminder of the sacrifices that Madelyne has continually made for Scott, for his life, and of the implied obligation of loyalty that should accompany that, thus presenting us with a sense of her betrayal. 4/11

For Gambit, the scene further establishes his power (in standing against the mighty Wolverine), his enigmatic nature (his ability to trigger a Deathstrike simulation) and his pragmatic approach to winning at any cost, whilst also teasing a possible connection to Longshot. 4/8

Wolverine’s first interaction with Gambit is a fight. A simple 3-page sequence establishes a dynamic animosity between the two brawlers, a generational conflict between old guard and new, and a tension between nostalgic loyalties and recent bonds. #xmen #wolverine #gambit 1/8

Kurt Wagner’s arc is not a story about accepting oneself - he gets there almost immediately - but a much more complicated story about navigating your lack of acceptance in a society that fails to share the comfort and peace with which you view yourself. 1/6 #xmen

AI renderings of Magik and Nightcrawler created by the Midjourney AI.

All in all, it’s a memorable inversion of gender type with an important antecedent in the sexual revolution. 10/10

In this sense, the image that Smith was creating an homage to had a clear purpose of equalizing sexualized portrayals in magazine periodical spreads. Drawing on that image could thus be seen to do (or aim to do) the same thing for comics. 5/10

From there, Claremont establishes Betsy as a 100% legitimate hero – if anything, she’s seen to have an excess of the heroic spirit, and through this depiction the character is able to move beyond a rough turn in the character’s history to become a superhero in her own right. 7/7

In one notable story from Captain Britain vol. 2 #13 (1986), written and drawn by Alan Davis, Betsy would briefly take on the mantle of Captain Britain herself, only to be brutally beaten and have her eyes gouged out by a villain called Slaymaster. 3/7