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The Claremont Runさんのイラストまとめ


The Claremont Run is a SSHRC-funded academic initiative micro-publishing data-based analysis of Chris Claremont's 16 year run on Uncanny X-Men and spinoffs.
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We can see power creep a bit with Rogue, who grapples with the Carol Danvers persona; we might see it as well with Kitty and Psylocke in their ninja transformations; it’s clearly there with Rachel (becoming Phoenix) and Carol as well (becoming Binary). 7/12

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Scott expresses constant anxiety about Jean’s power, both in terms of the hierarchy of the X-Men (in which he holds the top position as leader) and in terms of the hierarchy of their personal relationship (in which he holds the top position as a man in a patriarchal society) 5/12

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The pattern is simple: C takes an existing female character, ramps up their powers to new heights and then explores the cascading effects that their power creep has on everyone around them, often with accompanying symbolism of patriarchy. 2/12

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“To clarify connections between portrayals of the Goddess and the Witch in popular media (such as science fiction and fantasy) and private philosophy (as in specific branches of Wicce).” 5/9

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“To present artistic and literary expression that incorporate new views of the status of women in society and spirituality; and that portray men and women in closer relation to Nature…” 4/9

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In all facets of their exchange, the unifying factor is the establishment of duty to the X-Men. Storm has (joylessly) accepted her duty, but Logan is wavering in the wake of the Mutant Massacre. She is there to remind him – to bring him back in line. 7/9

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Wolverine rejects the responsibility of leadership (a consistent character attribute that says a great deal about his self-confidence within a group dynamic and his sense of self-worth). Storm rejects this viewpoint, manhandles the berserker, and drags him back. 6/9

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The power dynamic is foreshadowed in the simple fact that Wolverine (an archetypal hunter) has literally scaled the highest mountain to be alone, but it doesn’t matter. Even without her powers, Ororo has tracked him down. 3/9

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The scene initiates a journey of self-discovery for Ororo, one of many throughout the series but this one will specifically create the rising action for the “Fall of the Mutants’’ event. She has to go alone, but someone has to lead the X-Men in her absence. She recruits Logan 2/9

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“And Rahne lusted: she wanted Sam, she wanted Roberto DaCosta, and her feelings were even a greater challenge to master than her lycanthropic powers. Rahne never hated who she was, but did hate who she might become, and I don’t mean a wolfgirl.” 4/5

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